Everything is too sugar-spine, salt-lipped, staticstitched and jitterglow.
I can’t sit still without turning into a girl-shaped emergency.
I keep my synonyms in jars— one for ache, one for almost, one for the word I made up that means I miss you so much I become a faucet.
Language is a loose tooth. I tongue it until it bleeds metaphor. Call it poetry. Call it coping. Call it anything but what it is: me, peeling the world into vowels because I’m scared if I say what I mean, you’ll hear it.
And then what?
You’ll answer?
You’ll echo?
You’ll send a voice memo saying same and I’ll combust on the Q train like a well-read matchbook?
God, I am so caption-core, pun-drunk, rhyme-accident-prone. I named my stomach pit afterthought. I named my wrists reminder.
And I named you don’t.
But I still say it every time I open my mouth to speak.
Some relationships are a loose tooth. You know you’re going to lose them, but you keep poking at it. This poem is about that—about obsessive love, about knowing better and doing it anyway, about aching where someone once was and still is. Language with a wobble. Feeling that throbs. The before and after all at once.