I’d like to think I am dead, like an old Maine farm left to decay. I crumble demurely into the river and grass.
Chickens gone by breakfast, you by crepuscule; Rockwell never painted defeat or loss of limb but never has he seen your lips, cracked with solitude, fortitude, secrets, and the faint music of a funeral pyre.
I always remembered you, rising with the sun and whispers, sweeping the porch, scattering leaves and harvest: scalding coffee and soft hands on this October Day— I cannot recall for the life of me— what color were your eyes.
Now I am wrinkled, small, and tired, left amongst gentle picket fences, whitewashed walls, creased linen, and every single day that I wasted those silent early oatmeal mornings.
Just so you know and don’t worry, in case you’re worrying, I still get chilly at night, and yes I kept your flannel shirt; and oh I forgot to say: I cheated at Monopoly.
--my hands crack in the pastoral stillness.
this was a piece i did as a play on the typical poems found in the New Yorker, had to use certain words from a wordbox, a few other rules structurally.