A Sewer of Secondhand Stanzas & Desperate Hands in the Dark
Rotting forum, crusted in filth, a mausoleum for hacks,
where perverts slither between broken metaphors,
their trembling hands typing—no, panting—
over poems that stink of sweat and self-pity,
rejected lovers turned dime-store philosophers,
clawing at rhyme like it's the last cheap thrill
they’ll ever taste.

A graveyard of ghost accounts and hollow praise,
twenty usernames circling the drain,
sniffing each other’s failures and calling it art,
a place where "critique" means slapping a heart
on yet another recycled *****-verse
about “aching souls” and “dying stars.”

Oh, the predators—old men and woman in shadows, lurking, waiting,
writing thin-veiled fantasies and calling them poems,
prying at the young with tired compliments,
sickly sweet as rotting fruit.
They call themselves poets—
but they reek of desperation and dust.

And the “art” they birth?
Half-baked, half-rhymed, half-thought,
trite as a teenager’s diary scrawl,
sewn together with clichés and copied lines,
whimpering at their own reflections,
******* to mediocrity.

The site itself? A glitching, gasping relic,
a dumpster fire on dial-up,
barely held together by duct tape and denial,
its threads—old, stale, circling the same six topics,
poetry regurgitated like bad meat,
a static grave for static minds.

So here’s your goodbye, Deep Underground—
a place where talent goes to die,
where “community” is a euphemism for
mutual mediocrity,
where words are not weapons, not wonders—just waste.

Let it sink. Let it rot.
It was never alive to begin with.
Good riddance to bad *******.