poetry used to be a map, a hymn, a burning
we wrote like our tongues bled, like time
ached for translation. words cracked open the sky,
made men dream, made women rise,
made silence sit and listen.
but now,
now, if I whisper of rivers, of dust-lit dawns,
of the wind curling like a mother’s hand
the echoes fall hollow.

but let me write skin, sweat, moan, bite
watch them come running.
write me naked, paint me burning,
say lust, say ****, say writhing hunger
and the crowd swells, tongues heavy with thirst.
it’s not wrong—no, never wrong—
but it is telling.

it is a hunger that does not end.
not for beauty, not for meaning,
not for the poetry that unfurls the world
just for the quick hit, the lit fuse,
the take me there, take me now, make me feel something
for five minutes and leave me numb again.

if I say the word tree, I get ten eyes.
if I say thighs, I get ten thousand.
and that’s where we are.
not where we were.
not where poetry was once carved into the bones of history,
but where it flickers like neon in motel rooms,
glows for a night, fades by morning.

I do not blame them.
I do not shame them.
but I will not forget
what poetry used to do
when words were more than
just a pleasure-driven plate.