3d
Roses are red violets are blue...The fact is, I could write encyclopedias about how ****** and stupid Lord of the Rings is. And don’t even get me started on Harry Potter—what a pathetic, daddy-issue-ridden mess.
If I were up against Harry and his little twerps, I’d punt them like a field goal. It would be over in seconds. I’d crack their skulls before they got a single word out. And even if they tried their weak nonsense, I’d just cast Silence. How are you going to cast a spell when you can't speak? An entire world, a sweeping saga undone by one common spell.
The relationships, the dynamics, and the way characters are often placed in dangerous situations where their vulnerabilities are exploited, it’s unsettling. There’s no escape from this undercurrent of grooming, particularly in the way characters like Harry are pushed into morally gray situations, all under the guise of “destiny” or “greatness.” These are children. They should be protected, but instead, they’re put on pedestals and used as pawns for an adult’s war. It’s deeply disturbing.
Then, there’s the complete failure of Albus Dumbledore as a figure of authority and wisdom. What a complete failure he is. This man—who’s supposedly one of the wisest, most revered characters in the magical world—does nothing but pass the responsibility for everything onto others. He’s a coward, manipulating children to fight his battles, all while withholding information, and putting them in harm’s way. He doesn’t have the backbone to act when it matters, and his inability to learn from his own mistakes is a flaw that plagues him throughout the entire series. It’s as if he’s incapable of making a single ethical decision. He’s not noble; he’s a manipulative fraud, and it’s an insult to the very concept of leadership.
Let’s talk about the Wizarding World, shall we? A society with magic so powerful that it can literally solve every problem you can imagine—yet it ignores the real-world issues that plague its own citizens. There’s no effort to address poverty, child abuse, or any of the things that would actually make a difference in the lives of people. They could solve world hunger with a simple spell, or cure diseases with a flick of a wand, yet they choose to turn a blind eye to the suffering happening around them. There’s no technological progression; nothing seems to move forward because the entire society is stuck in an outdated, backward system that can barely handle the modern problems that keep popping up. But why bother changing anything when you can just wave a wand and pretend everything is fine? The whole system is utterly nonsensical.
And the writing? It’s embarrassingly basic. There’s nothing to it. Everything about the prose screams “children's book” in the worst way possible. It’s repetitive, formulaic, and devoid of any real depth or complexity. The descriptions are lazy, often using the same tired adjectives over and over again. The magic is treated like some child’s toy; there’s no real explanation for how it works, just vague references to the “mystical.” Nothing is ever fully fleshed out. It’s all just there, existing for the sake of advancing the plot without any thought for coherence or world-building.
And Voldemort? Don’t get me started. He is the weakest, most laughable villain to ever appear in fiction. He could’ve been defeated at any time, but somehow, this “evil overlord” manages to survive through sheer incompetence and plot armor. He doesn’t even have the sense to **** a baby when he has the chance, let alone successfully carry out any of his grandiose plans. The whole idea of him as a villain is a joke. It’s a tragedy that such a character is even given any weight or importance in the story.
The disturbing undertones that run through the series are perhaps the most overlooked aspects of Harry Potter. Let’s talk about how Snape, a grown man, seems obsessed with Harry’s mother, Lily. He’s this bitter, twisted character who can’t seem to move past some deep-seated emotional issues and makes the whole thing about his personal revenge fantasies. His fixation on a teenage girl, and later Harry’s mother, feels far more like a grudge than any noble sense of duty or redemption. It’s disturbing in ways that go unaddressed. And don’t even get me started on how the children are treated like slaves, especially in the way they are kept in the dark about their true roles in all of this. They’re pushed into war, taught to fight, and are left to deal with the fallout of decisions they have no power over. They’re nothing but pawns, manipulated and discarded when it’s convenient.
Rowling constantly sexualizes underage characters. She describes 14-year-old girls' bodies, their “curves,” the way boys “notice” them. Hermione’s sudden transformation at the Yule Ball is written like a ****** ******* reveal. Why does she need to be sexualized? She’s a kid.
In the end, the world of Harry Potter makes no sense. It’s a place where magic could solve all of society’s problems but doesn’t. It’s a series that asks you to believe that the same people who can make objects levitate or conjure food out of thin air are somehow incapable of improving anything let alone their world. The entire premise is based on a series of lazy tropes chosen ones, magical worlds, and grand destinies that don’t hold up under even the slightest scrutiny. It’s a patchwork of stolen ideas, slapped together with no real thought or originality. And let’s not forget about the endless repetition. The magic may change, but the problems, the structure, and the tropes remain the same. It’s the same story told over and over again, with no real growth or evolution in the narrative.
This series is nothing more than a well-disguised piece of trash, a work of shallow, repetitive nonsense that has been falsely elevated as some sort of cultural touchstone. Its Christians so. it makes complete sense. They love this kind of crap. It's the core of their whole reality. So no wonder they eat this garbage up It’s a poor man’s fantasy, made for children with no taste and no real understanding of what great storytelling is. It’s insulting to anyone who has ever read a truly great book, and it’s insulting to anyone who knows how to think critically. It’s lazy, it’s derivative, and it’s full of everything wrong with modern literature. Kind of like the Quran. If you really want to see what magic looks like, look there it has a flyin horse with a humans face. But Larry Trotter this is just smoke and mirrors, designed to distract from the mediocrity at its core.
Voldemort? One of the weakest, lamest, most pathetic villains ever. well Sour ron from LOTR is bad too real bad he shows up he gets killed by a girl bam ! done. I there a bad guy in the Game of thrones books I mean the Mt. but he's a mongoloid not really a bad guy more like lenny from mice and men . Anyway The padawan training schools the inane pointless traditions, the ridiculous jokes. And let’s be honest, Harry Potter desperately wants to be Star Wars. They want the whole "Padawan learning the Force" thing, but it’s just embarrassing.
Now, onto A Song of Ice and Fire. A dance of crap and more crap, with fire and ice and zombie dragons—except he never even does the zombie dragon thing in the books. I’ve suffered them so you don't have to . They’re meh, at best. The first three are mediocre, and even then, the highlight is when Brienne is in the bear pit and ,Jaime still has to rescue her.
The only somewhat interesting part? The Hound and Arya. Arya steals the whole show, so it makes sense that HBO gave her the final ****. She’s the only decent character in the entire series, other than the actor that almost redeemed 2 dimensional Tyrion, who they otherwise absolutely turned to bubble gum. In the books, he’s a scarred-up, grotesque little pervert missing his nose, waddling around like the disgusting freak he’s meant to be. But no, they had to soften him up, make him "relatable." Sure, whatever. Then he shoots his dad on the toilet, spends half a book brooding about it, and that’s his arc?
And Catelyn Stark? God, he couldn’t have killed her off fast enough. Reading her chapters was pure suffering. Then she's a zombie for a sentence or 2 ? Almost as bad as reading Sansa. Every time I saw "Sansa" at the top of a chapter, I wanted someone to put me out of my misery. Like the brother diddler, god how horrid and yes know we weren't supposed to like her.
But even as bad as Martin is, he’s still not as bad as Tolkien. That crap is unreadable. I have never seen anyone abuse semicolons and colons more in my life. And the songs? Dear God. Nothing makes sense. It reads like an acid-trip hangover. angry cockneyed drunken english professor playing tea party while writing a how to assemble a nap time Ikea fairy tale manual. yes the sentences are like that I wrote that in his style. It's infuriatingly impossible to slog through.
Bilbo and Sam? Supposed to be lovable and relatable, but they just make me sick Cry, Cry, cry, walk walk walk, Cry cry cry..... And then there’s Gollum, who is even worse. Nothing about him is funny, cute, or remotely entertaining. It’s just sad not in a a tragic way but ,stupid. And everything is magic ring. The ring is magic. The sword is magic. The chain mail is magic. The horses **** magic. The river is magic. The tree is magic. Is anything not magic Jesus Christ. Why even d do anything? It's like the Star Trek matter energy converter. If you have that, why do you need anything? I mean, they could have at least said exploration for exploration's sake for discovery. At least that's something. But all of those books the return of the king, the two towers, it's not that. It's not exploration for exploration sake. And if the bad guy is already so powerful, what does he care about any of that? If he's incorporeal?
And don’t get me started on the eagles. Gandalf could have just called the eagles, taken the ring, and flown to a thousand different places. But no, they had to march to Mount Doom because, apparently, that’s the only place in the entire world with lava. How stupid is that? The whole thing is pitifully dumb, derivative, unoriginal, and the way people worship it like some holy text is beyond me. He had no competition when it was written. We do now .
Tolkien didn’t invent ANYTHING . Every single bit of it is stolen. Even his so-called "Elvish language"—stolen. He didn’t create wizards. He didn’t invent dragons, goblins, magic swords, dwarves—none of it. And to top it off, you can’t even read those books. They’re so poorly written. Its like trying to enjoy Canterbury Tales,
except somehow worse sooyta to the roo tay but bogged down with pointless lore that contributes nothing to the actual story.
Create a list of names of some guys that do nothing and Contribute absolutely nothing to the plot. Just to **** them off, create characters that were almost starting the light, and then a couple chapters later killed them wrong. Great. someone that seems like they could be important, but a book later killed them off. He'll just **** everybody off. Why not **** everybody up? The whole thing is stupid. Just get the ring and throw it in the fire. Why do you need 4 books to do that? What he needed was an editor, but he needed was someone to say, really have. really. Have you sang these songs out loud in front of anyone and not gotten beaten up? I don't know how that ever became anything. The only thing I can think of was it was either cry about all the people that were lost in those sport wars. Watch paint dry. I mean, I don't know. There must have been nothing else being published. Talk about a slow Newsday.
And then there’s all the fetishist, ******, misogynistic nonsense buried in the ******* subtext, but I won’t even go into that. The fact that his work became anything at all just shows how low the bar is. Point made . Point proven . People will accept anything if you know how to slap the right label on it. Appeal to the English's pride or target a black audience and . Boom its gold baby. Madea goes to middle earth. And Sour Ron.. Thats your bad guy? Seriously? Why did he not just **** ***** or Frilzo or whatever his pathetically stupid name is ? What he wasn't evil then or he had no power or was just taken a knap. Oh but when Froe *** get the ring ..Oh hell nO ! son you gonna die. What?
Same with Star Wars. Disney saw it for what it was: branding over substance. They knew they could put guys in cardboard armor,
cram aluminum foil up their butts . Slaps satellites on on their backs HAVE THEIR KNEES SHOOT ROCKETS ? What ? after all these years R2 could fly ? no one is really dead and knee rockets the whole time ? wow ! , As long as it had the Star Wars name, people will eat it up. And that’s Andor. They’re walking around with AK-47s and African World War Two. surplus military gear, yet I’m supposed to believe this is a world of advanced laser technology? Hello. Hello. Check. Check. Check. And I'm supposed to be enamored by the writing or the storytelling. Give me a break.
The best thing that ever happened to Star Wars was Ralph McQuarrie. Hands down.
If I were up against Harry and his little twerps, I’d punt them like a field goal. It would be over in seconds. I’d crack their skulls before they got a single word out. And even if they tried their weak nonsense, I’d just cast Silence. How are you going to cast a spell when you can't speak? An entire world, a sweeping saga undone by one common spell.
The relationships, the dynamics, and the way characters are often placed in dangerous situations where their vulnerabilities are exploited, it’s unsettling. There’s no escape from this undercurrent of grooming, particularly in the way characters like Harry are pushed into morally gray situations, all under the guise of “destiny” or “greatness.” These are children. They should be protected, but instead, they’re put on pedestals and used as pawns for an adult’s war. It’s deeply disturbing.
Then, there’s the complete failure of Albus Dumbledore as a figure of authority and wisdom. What a complete failure he is. This man—who’s supposedly one of the wisest, most revered characters in the magical world—does nothing but pass the responsibility for everything onto others. He’s a coward, manipulating children to fight his battles, all while withholding information, and putting them in harm’s way. He doesn’t have the backbone to act when it matters, and his inability to learn from his own mistakes is a flaw that plagues him throughout the entire series. It’s as if he’s incapable of making a single ethical decision. He’s not noble; he’s a manipulative fraud, and it’s an insult to the very concept of leadership.
Let’s talk about the Wizarding World, shall we? A society with magic so powerful that it can literally solve every problem you can imagine—yet it ignores the real-world issues that plague its own citizens. There’s no effort to address poverty, child abuse, or any of the things that would actually make a difference in the lives of people. They could solve world hunger with a simple spell, or cure diseases with a flick of a wand, yet they choose to turn a blind eye to the suffering happening around them. There’s no technological progression; nothing seems to move forward because the entire society is stuck in an outdated, backward system that can barely handle the modern problems that keep popping up. But why bother changing anything when you can just wave a wand and pretend everything is fine? The whole system is utterly nonsensical.
And the writing? It’s embarrassingly basic. There’s nothing to it. Everything about the prose screams “children's book” in the worst way possible. It’s repetitive, formulaic, and devoid of any real depth or complexity. The descriptions are lazy, often using the same tired adjectives over and over again. The magic is treated like some child’s toy; there’s no real explanation for how it works, just vague references to the “mystical.” Nothing is ever fully fleshed out. It’s all just there, existing for the sake of advancing the plot without any thought for coherence or world-building.
And Voldemort? Don’t get me started. He is the weakest, most laughable villain to ever appear in fiction. He could’ve been defeated at any time, but somehow, this “evil overlord” manages to survive through sheer incompetence and plot armor. He doesn’t even have the sense to **** a baby when he has the chance, let alone successfully carry out any of his grandiose plans. The whole idea of him as a villain is a joke. It’s a tragedy that such a character is even given any weight or importance in the story.
The disturbing undertones that run through the series are perhaps the most overlooked aspects of Harry Potter. Let’s talk about how Snape, a grown man, seems obsessed with Harry’s mother, Lily. He’s this bitter, twisted character who can’t seem to move past some deep-seated emotional issues and makes the whole thing about his personal revenge fantasies. His fixation on a teenage girl, and later Harry’s mother, feels far more like a grudge than any noble sense of duty or redemption. It’s disturbing in ways that go unaddressed. And don’t even get me started on how the children are treated like slaves, especially in the way they are kept in the dark about their true roles in all of this. They’re pushed into war, taught to fight, and are left to deal with the fallout of decisions they have no power over. They’re nothing but pawns, manipulated and discarded when it’s convenient.
Rowling constantly sexualizes underage characters. She describes 14-year-old girls' bodies, their “curves,” the way boys “notice” them. Hermione’s sudden transformation at the Yule Ball is written like a ****** ******* reveal. Why does she need to be sexualized? She’s a kid.
In the end, the world of Harry Potter makes no sense. It’s a place where magic could solve all of society’s problems but doesn’t. It’s a series that asks you to believe that the same people who can make objects levitate or conjure food out of thin air are somehow incapable of improving anything let alone their world. The entire premise is based on a series of lazy tropes chosen ones, magical worlds, and grand destinies that don’t hold up under even the slightest scrutiny. It’s a patchwork of stolen ideas, slapped together with no real thought or originality. And let’s not forget about the endless repetition. The magic may change, but the problems, the structure, and the tropes remain the same. It’s the same story told over and over again, with no real growth or evolution in the narrative.
This series is nothing more than a well-disguised piece of trash, a work of shallow, repetitive nonsense that has been falsely elevated as some sort of cultural touchstone. Its Christians so. it makes complete sense. They love this kind of crap. It's the core of their whole reality. So no wonder they eat this garbage up It’s a poor man’s fantasy, made for children with no taste and no real understanding of what great storytelling is. It’s insulting to anyone who has ever read a truly great book, and it’s insulting to anyone who knows how to think critically. It’s lazy, it’s derivative, and it’s full of everything wrong with modern literature. Kind of like the Quran. If you really want to see what magic looks like, look there it has a flyin horse with a humans face. But Larry Trotter this is just smoke and mirrors, designed to distract from the mediocrity at its core.
Voldemort? One of the weakest, lamest, most pathetic villains ever. well Sour ron from LOTR is bad too real bad he shows up he gets killed by a girl bam ! done. I there a bad guy in the Game of thrones books I mean the Mt. but he's a mongoloid not really a bad guy more like lenny from mice and men . Anyway The padawan training schools the inane pointless traditions, the ridiculous jokes. And let’s be honest, Harry Potter desperately wants to be Star Wars. They want the whole "Padawan learning the Force" thing, but it’s just embarrassing.
Now, onto A Song of Ice and Fire. A dance of crap and more crap, with fire and ice and zombie dragons—except he never even does the zombie dragon thing in the books. I’ve suffered them so you don't have to . They’re meh, at best. The first three are mediocre, and even then, the highlight is when Brienne is in the bear pit and ,Jaime still has to rescue her.
The only somewhat interesting part? The Hound and Arya. Arya steals the whole show, so it makes sense that HBO gave her the final ****. She’s the only decent character in the entire series, other than the actor that almost redeemed 2 dimensional Tyrion, who they otherwise absolutely turned to bubble gum. In the books, he’s a scarred-up, grotesque little pervert missing his nose, waddling around like the disgusting freak he’s meant to be. But no, they had to soften him up, make him "relatable." Sure, whatever. Then he shoots his dad on the toilet, spends half a book brooding about it, and that’s his arc?
And Catelyn Stark? God, he couldn’t have killed her off fast enough. Reading her chapters was pure suffering. Then she's a zombie for a sentence or 2 ? Almost as bad as reading Sansa. Every time I saw "Sansa" at the top of a chapter, I wanted someone to put me out of my misery. Like the brother diddler, god how horrid and yes know we weren't supposed to like her.
But even as bad as Martin is, he’s still not as bad as Tolkien. That crap is unreadable. I have never seen anyone abuse semicolons and colons more in my life. And the songs? Dear God. Nothing makes sense. It reads like an acid-trip hangover. angry cockneyed drunken english professor playing tea party while writing a how to assemble a nap time Ikea fairy tale manual. yes the sentences are like that I wrote that in his style. It's infuriatingly impossible to slog through.
Bilbo and Sam? Supposed to be lovable and relatable, but they just make me sick Cry, Cry, cry, walk walk walk, Cry cry cry..... And then there’s Gollum, who is even worse. Nothing about him is funny, cute, or remotely entertaining. It’s just sad not in a a tragic way but ,stupid. And everything is magic ring. The ring is magic. The sword is magic. The chain mail is magic. The horses **** magic. The river is magic. The tree is magic. Is anything not magic Jesus Christ. Why even d do anything? It's like the Star Trek matter energy converter. If you have that, why do you need anything? I mean, they could have at least said exploration for exploration's sake for discovery. At least that's something. But all of those books the return of the king, the two towers, it's not that. It's not exploration for exploration sake. And if the bad guy is already so powerful, what does he care about any of that? If he's incorporeal?
And don’t get me started on the eagles. Gandalf could have just called the eagles, taken the ring, and flown to a thousand different places. But no, they had to march to Mount Doom because, apparently, that’s the only place in the entire world with lava. How stupid is that? The whole thing is pitifully dumb, derivative, unoriginal, and the way people worship it like some holy text is beyond me. He had no competition when it was written. We do now .
Tolkien didn’t invent ANYTHING . Every single bit of it is stolen. Even his so-called "Elvish language"—stolen. He didn’t create wizards. He didn’t invent dragons, goblins, magic swords, dwarves—none of it. And to top it off, you can’t even read those books. They’re so poorly written. Its like trying to enjoy Canterbury Tales,
except somehow worse sooyta to the roo tay but bogged down with pointless lore that contributes nothing to the actual story.
Create a list of names of some guys that do nothing and Contribute absolutely nothing to the plot. Just to **** them off, create characters that were almost starting the light, and then a couple chapters later killed them wrong. Great. someone that seems like they could be important, but a book later killed them off. He'll just **** everybody off. Why not **** everybody up? The whole thing is stupid. Just get the ring and throw it in the fire. Why do you need 4 books to do that? What he needed was an editor, but he needed was someone to say, really have. really. Have you sang these songs out loud in front of anyone and not gotten beaten up? I don't know how that ever became anything. The only thing I can think of was it was either cry about all the people that were lost in those sport wars. Watch paint dry. I mean, I don't know. There must have been nothing else being published. Talk about a slow Newsday.
And then there’s all the fetishist, ******, misogynistic nonsense buried in the ******* subtext, but I won’t even go into that. The fact that his work became anything at all just shows how low the bar is. Point made . Point proven . People will accept anything if you know how to slap the right label on it. Appeal to the English's pride or target a black audience and . Boom its gold baby. Madea goes to middle earth. And Sour Ron.. Thats your bad guy? Seriously? Why did he not just **** ***** or Frilzo or whatever his pathetically stupid name is ? What he wasn't evil then or he had no power or was just taken a knap. Oh but when Froe *** get the ring ..Oh hell nO ! son you gonna die. What?
Same with Star Wars. Disney saw it for what it was: branding over substance. They knew they could put guys in cardboard armor,
cram aluminum foil up their butts . Slaps satellites on on their backs HAVE THEIR KNEES SHOOT ROCKETS ? What ? after all these years R2 could fly ? no one is really dead and knee rockets the whole time ? wow ! , As long as it had the Star Wars name, people will eat it up. And that’s Andor. They’re walking around with AK-47s and African World War Two. surplus military gear, yet I’m supposed to believe this is a world of advanced laser technology? Hello. Hello. Check. Check. Check. And I'm supposed to be enamored by the writing or the storytelling. Give me a break.
The best thing that ever happened to Star Wars was Ralph McQuarrie. Hands down.
