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Jan 20
Part I


It’s admirable, really,
how you’ve turned heartbreak
into performance art.

Did I just say that?
Oops—slip of the tongue,

like when you called me a mistake
and dressed it up as self-awareness.

“I’m walking away
because it’s the right thing,”
you said,
as if morality were fear
in a designer suit,
polished for the press.

No, really, I envy you.
It must take a kind of brilliance
to gaslight yourself so thoroughly,
your airtight lies
barely letting air in.

I’d ask if you believe your own stories,
but I’m scared of the answer—
being that committed to the act.

Oops, there I go again.
Was that too much?

It’s just—
you make it so easy to write about you,
like I’m bleeding out for you,
staining the sheets,
while you dream of clean hands.

You’re a character that refuses to develop.
All first act, no resolution,
the kind of person who leaves a wound
and then calls it poetry.

You’re inspiring, honestly.
So inspiring I can’t stop writing you down,
line after line after line.
You’ll live forever in these verses,
like overripe fruit
festering in a golden bowl.

Oops—
did I just compare you to a metaphor
you’ll never understand?
My bad.

I guess I’m still trying to
turn the volume down
on how you left.


Part II


It’s impressive, really,
how you can ghost yourself in real time,
leaving echoes where you should stand,
how you speak in circles so tight
you vanish into them and bow.

But don’t worry,
I’m not mad.
I just hope, someday,
someone whispers “forever”
warm enough that you finally hear
what you threw away.

You’d rather wade in puddles
and call them oceans.
It’s cute, really,
how you mistook self-sabotage for bravery.

My bad—was that mean?
I didn’t mean it.

I just think it’s sweet,
the way you told me I deserved better,
like it wasn’t your job
to be that for me.

I’m not bitter, though.
(That’s what people say, right?
When they’re lying?)

I just wonder if you ever think
about the space you left behind—
a perfectly carved absence,
still shaped like you.

You’d probably call that poetic.
You’d find a way to make my grief
a compliment to your charm.
You always did like a good metaphor,
even if it wasn’t yours to claim.

And me?
I’ll keep apologizing for what you did.
My bad-
for trying too hard to make you stay.
My bad-
for thinking love was a language
you could learn to speak.
I should’ve known
you only ever mouthed the words.

But no hard feelings.
I hope you find someone
who doesn’t mind
standing in your shadow.

I hear the view from there
is stunning—

just like watching someone leave,
and realizing you built the door
and I locked it behind you,
my bad- I guess.
Kiernan Norman
Written by
Kiernan Norman  ct
(ct)   
77
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