When you visit this Nativity you pass through room after room; five centuries of painting ablaze with colour and the human form.
When itβs as far as you can go from the melee of the constant crowd, that Saturday we were rewarded by a space empty, but for three paintings and our silent selves.
Silenced by its wonder my son caught its breath: the smell of the studio in Arezzo and perhaps the shadow of the artist barely sighted, blind at the end.
The painter, so the Polish poet says, who hid so thoroughly behind his work that one cannot invent a private life, his loves or friendships, passion and grief. His being was his ouevre.
And these faces (from the street perhaps?) marked in the mindβs memory with the miracle before them. And for me: the silent music of the angels, a choir with lutes haunts and haunting
always.
The painting is The Nativity by Piero della Francesca http://www.nationalgallery.org.uk/paintings/piero-della-francesca-the-nativity The Polish poet is Zbigniew Herbert whose book The Barbarian in the Garden has an essay about his love for this 15C painter from Arezzo.