Leave it to Linklater films
to figure out what life is
we're rivers of blood seperated
forever from the greater ocean
we are constantly told we're
supposed to be a part of
and we walk around this
spinning ball of dust
and historically significant bones
wondering why we feel so
******* alone all the time.
On a sub-molecular level our
surface bends against the
surface of all other things
meaning, on a quantum level,
we never actually touch each other.
We sort of repel, in fact.
Maybe that's why we try so hard
to write ourselves into each other.
Can you feel me, in these words?
Do they stir in you the same
things I feel them move inside of me?
In this way, with text and grammar,
syntax and purpling context,
do you feel the bumps raise on
your flesh almost as if in
anticipation of the moment,
after the strings have swelled
and a valley of sweet percusive
harmonies have laid bare the
beating heart of the piece
you know a crash of cymbals must
be on the way?
Does hair stand on end on
the back of your neck when
you read, like a whisper in your
ear of late summer time regret
for feelings left unsaid or said
only in jest as the days grow shorter
and the time for action disappears,
at the words, in sequence, that
I've chosen to seranade you with?

Leave it to folk bands to figure
out what love is.
You and I are running at a sprint
against the wind toward the eternal
tomorrow and we've got no
idea how to engage the brakes.
We're on Barry's cosmic treadmill
without a clean understanding
of escape velocity that we need
to get off and go back.
Can we go back?
And inside our clothes
they will find only regret and
our time smoothed bones.
I'm workin' on it
I swear I am.
After walking through a lifetime
of doors it becomes hard to look
at how few are still open
and suicidal, in a sense,
to open many of them back up.
We're very near the top
in this endless climb.
This will not be a satisfying conclusion,
just a landing between flights of stairs.