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I Don't Bleed Popcorn

"It's good, but maybe you should write shorter," I was told.

Granted this was told to me by a man that believes the word artistic

to be closely related to the word autistic, but I can only assume that riding any

unfamiliar wavelength is terribly confusing, if not immeasurably difficult.

 

Knowing that you can confide in yourself, whether or not I'm misinterpreting

individual delegation for conscience, I believe altruism to be fundamental to

a person before growth can occur. Unless of course you're writing short poems.

And if you're curious enough to implement apathy, sarcasm is a fine starting point.

 

They say that if you want to master something you need to perform daily.

Accompany this with the old adage, "Love what you do," and you can imagine the potential.

Mastering an activity with love is transcendent, calm although sometimes piquant.

Passion and pleasure aren't identical, but imagine the potential.

 

I don't bleed ink.

It has to be an attempt at benevolence, to say that.

Extreme literary pretensions you must have to bleed out.

Writing should have a pulse. It. Should. Make. Each. Word. Count.

 

Yet, when this man told me that my words are good, but I should keep it shorter,

knowing not if I could or would, I became curious as to why he worried more about

length and not the content and story as a whole. Then I had to rationalize this to myself, and thought: It would be easier to convey words with images, like a film or animation.

 

But I don't bleed ink,

and I guess I don't bleed popcorn.

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Written by
charlie-chirico
29 / M / American
Published
Oct 7, 2013
Lines·Words
21·265
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