Polished nails and faint fingertips
Soothing touch, but quaint red lips
Almond-shaped eyes, hazel iris gleam
Fair skin worthy of the loveliest dream
These words on paper
The very first
Starting the rhyme and verse
With more moments
And stories
All so poetic and stoic
Bleeding ink to fresh paper
Bleeding hearts to woeful ears
Tracing the lines
Of my formative years
Ashy mist skies nestled over
Bleak sleeping mountains
Ghost wood trees likes hands
Reaching from the earth
A girl named Olivia
Sitting in my grade school class
Dark hair woven
Threads of black silk
I never knew her as she grew up
Just an illusory form of a forgotten past
Imagining her as she could be now
I could walk up to her
And say:
“Hello Olivia, It’s been a while
You changed since being a child
Your beauty’s been enhanced
Maybe you’ll give the chance
To talk and reminisce
I just can’t resist
Everything I see and hear
Has never been so clear
You make me feel content
Whole, serene and free
I just wish this wasn’t a dream.”
All things I wish I could say
To a person I could never forget
Where you simply forgot me
Because I moved away
And you lived your life
Stupid poems of love
Stupid songs of strife
I don’t want these things in here
On here
On these new pages
These quips don’t represent me
The way I want to be recognized
These aren’t the things I want to
Talk about.
Let these crisp pages tell of mutant women
And ******-****** fiends frolicking fiercely
Distorted, cathartic characters collapsing
Rippling, regal rodents ******
And cesspools shaping
Bubbling, contorting, boiling, simmering
Cow intestines infused with cake batter
Incestuous fairies hopping and dancing to screaming metal
Crunching, chugging riffs and thunder-booming bass lines
Frightening, fulsome, fearsome, ******-up fire starters
Worshiping, boars and their tusks and piling carcasses
Blasting kick-drums and rolls of stomping toms
Orchestra of darkness, Symphony of Hell
Masquerade of puppets and angel witch choirs
Demon women and devil men, swamping
Over bodies and pulling me into the pits
Where the pleasure my body and tear my flesh
Eradicating goodness and lights
With blood, pain, salivating mouths over hardened *****
******* **** and trusting in and out like wild men
In a lake of burning coals
And sins
I observe these happening(s) in this modern day
So I must write them and you shall read
And in the process
You will be
Shocked, surprised, disgusted, appalled and desired
Your body reacting to these words and phases
Ever wonder what my voice sounds like?
I do too, at least in your mind
This is my voice.
This is not your own.
Bourgeoisie dinner parties fit for cannibals
White weddings stained with septic blood
Children racing across the burning fields
Chasing the reaper and his friends
rapid heart beats
cold sweating hands
stomach pains churning and squealing
forcible labor to invisible babies
pulling back lips and gums
and retracting teeth
sinking into warm necks
******* and stretching
moans
and beauty through depravity
animistic, egregious
brutal love and subtle kisses
bleeding hearts
and
bleeding pens
This isn’t bad.
I like this
Would Olivia find this mind attractive?
Maybe
Maybe not
It doesn’t matter
These scribbles and dabbles
On these ****** pages
Are the beginnings to something more
All sprouted from the memory
Of a girl.
There are road maps and guidelines to writing. Sometimes, the greatest adventure and experience comes from ditching the map and taking that off-road journey into that never-ending horizon.
I try to think of goals and themes to tackle when composing new poetic compositions, but as I struggle I come to see that nothing seeps through the mind easily when it is forced. Presenting dictation to your thought process is the bare broken mirror to your psyche. Later in life, it can be a useful tool for any artist.
Be honest with yourself, don't try to accomplish just one thing. Never aim to please others and don't conform to rules laid before others.
Breaking away creative spontaneity, discourse and unmeasured wonderment.