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Jun 2022
ANY ONE VOWEL OF THE SINGER'S CHOOSING

The photo freezes
us into

this exact
instant.

Yet leaves out
the intense heat.

We locked into this
kiss forever

happening in colour
frozen in B&W.

Curiously there are no
insects in this

photographic world.

Yet so many
on that "then."

We are at once badly
smitten & bitten.

Our friend's song
also is not

captured
as the world stops

for just that
instant.

Her naked voice
stripped of words

her vocalise
tangled amongst

sunlight and leaves.

A fingerprint in purple
paint( added years later )

is not visible
on this

day of days
a thing tangible

as a soul
made visible

in deep purple.

The photo also fails
to convey

your lip's softness

the kiss's smell
of Chardonnay & menthol ciggies.

Sweet sweat
trickling into eyes wide open

our breaths
mingling.

I take in all
the photo elects

to leave
out.

The kiss
hidden now

by death...
...the death of days

and that infamous
famous purple fingerprint.

*

Vocalise, Op. 34, No. 14, is a song by Sergei Rachmaninoff, composed and published in 1915 as the last of his "Fourteen Songs", Op. 34. Written for high voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.

Ha ha...I just like the phrase...it is the instruction to the singer and I had only heard it sung on an O so my friend was doing A...I...E...U...and Y versions for me! All this singing floating about as the camera goes click in the middle of a kiss and we are trapped in a b&w forever. It was going to be called WHAT THE PHOTO LEAVES OUT but I'm much more pleased with its present title! Singers tend to do "O" versions mostly! Although there is a theremin version!
Donall Dempsey
Written by
Donall Dempsey  Guildford
(Guildford)   
87
 
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