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Aug 2013
A good way to feel lonely
is to drive the highways at night.
Fall in love like the headlights
that never touch,
only pass by,
feel like writing poetry
about the margins
that define missed connections.

Go home and make
as little noise as possible,
turn the lights off behind you.
You know how to make it look like
you were never here.
You think this
is a sad thing to be good at.

A good way to breathe
is to wake before the sun
and swim in the chlorinated pool,
partitioned and glassy,
think about brushing elbows
with the body in the lane next to
yours just to
see if you’re still solid.
You know you are less dense
than water. These days it feels
as if someone could pass a hand straight
through you.

Pull yourself out of the lane
and pad to the showers,
scour away the clamminess
with steam and liquid soap,
think about all the lives that intersect
in locker rooms and sit
in silence for a few minutes
just to listen.
You like the way the words echo,
just in case you missed them
the first time.
You always miss
them the first time.

A good way to escape
is to order packages from stores
you’ve never heard of,
diagrammed and backlit, fall in love
with the mystery of receiving.
Feel the calendar days
like empty spaces, hollow and aching,
missing parts of your body that can only
be filled by the miracles about to arrive
in the mail.

The postman crunches steadily
up the driveway, gravel
buried in the treads of his
boots. You think this is beautiful, to
carry pieces of where you’ve been
like last night’s spinach
in your teeth. Shameful and secret. Dark
and delightful. Something not everyone
is capable of loving. Lock
eyes like hands,
thank him as he turns away.

Think about
asking him to shake out his
boots, so all the roads
he’s seen can stay
even after he leaves.
You need
less things to leave.

A good way to mourn
is to write poetry at night,
chasing a tail that tastes like
mixed metaphors and
melancholia,
you have told your story
so many different ways
and none of them
have ever made him love you.  

Think about memorizing
his handwriting
and using it as your own.
Write grocery lists that could be his
and taper your signature to lines
so sharp they pierce and wound.
If you’re going to use his hand,  
make it hurt.

The curves of these letters
do not belong to you.
Your hands are so broken
they can do nothing but miss him,
and there are suddenly too many
teeth in the sickle of your smile.
This may be one fight you never seem
to stop losing and I know most nights
the lines of his shoulders cut like knives
but believe me,
this is the most exquisite
way to bleed.
If you’re going to hurt,
make it poetry.
Mary
Written by
Mary
767
   jaden and Molly Rosen
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