i’ve got hollow bones like a little baby bird. i tell myself that, when you pour yourself into me. you’re liquid and i’m just a vessel, a vase for some flowers. it would be easier to love someone else, and i do, but i am still, like the cool water’s liminal edge, and i am primarily yours.
i’ve got rough skin from years of scrubbing to make myself clean. our bathtub has seen more of me our mirror has, even more so the razor on the little ledge that i use to shave my non-existent ****** hair and pretend i’m someone else. like we’re in a 50s movie about coming to not-quite terms with disillusionment.
i’ve got eyes that stare too intently, scared to blink away the ghost of you that sits on the edge of the bed, all skin and bone and more skin left over, enough of it that i can grab onto and wrap myself in. then i’ll set us both alight.
maybe i’m the one with hands that hurt, i don't really know much of this anymore. you are white-hot and violently intense, the rock to which my hard place shore-crashes; if you must be by my side, do it quickly and painlessly, for i’ve had enough of time and agony for a lifetime.
for two lifetimes, actually. mine and yours.
From a portfolio I wrote in third year of university, titled 'asmr: i’m crying in the bathroom and you’re into emotional voyeurism'.