If I had a peso for every time I was asked for one
I’d be a rich man.
If I had a peso for every pleading face I’ve seen
I’d have a generous hand.
I’d put a peso in every can or pan
or outstretched hand
or cup or bowl or hat of wool.
I’d give one to the boy with the accordion player
and to the girl selling butterflies on a stick.
I’d give one to the woman squatting on the sidewalk
and to the youth with his baton-twirling trick.
I’d give one to the doll maker and to the basket weaver
and to the blind singer and to the fire-breather.
I’d give one to the old man drumming out non-rhythms
and to his equal, fiddling non-melodies.
I’d give one to the flautist/drummer combo
and to the Pavarotti wannabes.
I’d give one to the woman with few teeth
and to the man with one shoe
To the families sleeping in doorways
I’d give to all those who can’t do.
To every last one and all, big and small
I’d give a peso, or more
Hell, why keep score?
Yes, if I had a peso for every time I was asked for one
I’d give it up,
not because I should,
but because I could.
Well, ha!, at least, I’d like to think I would.
This poem was written after a few months of observing the lives and livelihoods of the Mexican people. Mexico has few, if any, "safety nets" (social security, unemployment, etc.) to help the poor. On the one hand, this results in a vibrant street life, with entertainers on seemingly every corner. On the other hand, it reveals a deep poverty and uneasiness among its people. This was written in April, 2005.