Sometimes I wish I had one thousand midnight hours all at once or better yet, a wristwatch full of the ticks and tocks of all of the pre-dawn smallnesses for the next decade or two.
These could be used to converse with owls or coyotes, foxes, hawks, ravens or river trout.
Our talks could be remembered sweetly, in the heat of a summer day or the dreariness of a wet, fall afternoon.
It is wished to not rely on window sill, moonlit memory, mimeographed message folded in half.
No; my boots would rather chew earth, pebble, and puddle, seeking out strange nutrients.
Monday morning stanzas are well and good, yet Saturday night sonnets, soliloquies; those are the real meat and potatoes of a weekend word ******.
Thursday night poems are pretty ****** impressive too.
The Thunderbirds, the phoenix of the composition notebook. Thursday poems and poets ask for a sidecar of whiskey⦠it shows up on the house.
Words and the working of them should be fearless, eventually.
The best stories, poems, come from shadowed, pained, or pining places anyway.