Jul 2013
A LETTER FOR YOU (AND, OF COURSE, FOR ME, TOO):
It smells like my grandmother's house in here.
Like lazy Saturdays, of dripping sweat, of climbing trees, of building Lincoln Log houses for ants or Deathstars of Legos but I spread my legs and that smell of--regret is not the word, nor is shame--I feel neither--but of came, of stale, cold air and stiff comforters on top a bed at the Best Western--A living proof of how you've changed. After you finish and inhale and burst your exhausted, satisfied breath, I sweetly kiss you--your neck, your jawline, your cheeks, your forehead, your eyelids. You hold us in and sleep as if a few drinks are enough to forgive. I tell you to slow down because you owe me about 5 years to make up for lost time. You slip your tongue down as if I had not broken your heart. But a man learns, and that's our biggest difference--man and woman, you and I--you've grown cold and moved on to content loneliness and betterness than to give a girl who's hurt you a second chance.
Me--I've grown to let the warmth run over you, like a hot glass of water from a motel room sink after an ******. Past content, loneliness and betterness than to obsess about a boy grown sour from a girl too hurt to not want to take back the past.
We check in for the night to "make up for lost time."
We check out.
What's a girl to do?
Other than watch you sleep so still like you used to next to me, even with still blankets, it's cold. Hold me?
We walk out to our cars on a hot, departing Fourth of July.
I coax you into closing your lips over mine before you leave, but the key is already turned in. We already ate our free breakfast, ******, scratched, bruised.
You've already checked out, so
what's a girl to do now?
What's a girl to do?
AND
I cannot forget Whitman's words: "We were together, I forget the rest."
AND
Vonnegut's epitaph: "Everything was beautiful and nothing hurt."
AND
"Every time I kiss you
After a long separation
I feel
I am putting a hurried love letter
In a red mailbox"
AND
I feel like a one night stanza written by you who is more beautiful and unforgiving than words on a page
AND*
I am not drinking quickly enough--or enough, despite the speed
AND
Bukowski's poem:
year-worn
weary to the bone,
dancing in the dark with the
dark,
the Suicide Kid gone
gray.
Ah! the swift summers
over and gone
forever!
Is that death
stalking me
now?
No, it's only my cat,
this
time
AND I DIGRESS BECAUSE
my dear sweet Ambien Walrus has abandoned me in reality among the living. So blissful breaks, only a stomach churning in the minutes passing of a long night.
No worries, Mr. Walrus. I'd abandon me too. Only drinking, imagined aliens, crying and words here--words to document your blessed coming and mournful going into the wee hours of the unforgiving days. There is no glory in the mornings. I watch for you as I watch the hours pass. No bliss in the minutes stretched over the midnight break. Only words, no blessing, no grace, to pass the heavy nagging of the night. Will I see you again?
"We were together, I forget the rest."
What's a girl to do?
AND
oh yeah, drink more. Fingers crossed.
What more can a girl do, really?
OH
take another drink before the liquor runs out.
AND DRAW UPON MISTAKES PAST
I know this letter is getting out of hand
BUT
hear me out for all the words you never had to hear. I promise I'll throw in a joke somewhere.
AND
I sneak outside for a cigarette and watch an armadillo rummage closer to me while I search for another poem to make me feel better, another poem for this letter to you I will never send but maybe, if the situation's right, to read to you on some drunken night. I promised you a joke, but now, I giggle at my own feelings. Maybe you will too. I hope you laugh too--At my hands so aching, at my torn apart ******, at my silly feelings and words to help me forget a reminiscing night of you pushing my hair from my face so you can see my eyes when I purse my lips down below.
SO
here's your joke, I suppose.
This one's on me.
IN CONCLUSION
"At 23, the best of my life is over and its bitters double...I am sick at heart...I have outlived all my appetites and most of my vanities."
Byron knew the futility of joy in little things. In my quest to overcome a trivial ache, I have re-imagined a familiar road to uncertainty, instability, and insanity.
How great thou art!
Give me sleep and less slipping into this place of comfortable communion with the illnesses of my mind.
Of the body of Christ.
Amen.
Lord, I am not worthy to receive you, but only say the words and I shall be* sane.
Like Lazarus from the grave:
"This is not what I meant, at all."
"That is not it, at all."
God bless the blue.
What else is a girl to do?
BECAUSE
From the wards, I smell the mourned words of a place that I called home--this imaginary place that we must reinvent ourselves. Maybe mine is on Corporate Woods Drive, and all this--this is just a yellow brick road with little munchkins sweetly singing, follow it back home. I'll skip in a pretty dress with my friends and my babies to smell the grey walls and be asked of safety. I get lost every once in awhile but the Cheshire Cat asks, "where do you want to go?"
"I want to go home," I answer.
"Then," says the cat, "it doesn't matter."
IN OTHER WORDS
"I'm afraid I can't explain myself, sir. Because I am not myself, you see?"
"I wonder if I've been changed in the night? Let me think: Was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I'm not the same, the next question is, 'Who in the world am I?' Ah! that's the great puzzle!"
SINCERELY YOURS (AND MINE, TOO)
Natalie
It smells like my grandmother's house in here.
Like lazy Saturdays, of dripping sweat, of climbing trees, of building Lincoln Log houses for ants or Deathstars of Legos but I spread my legs and that smell of--regret is not the word, nor is shame--I feel neither--but of came, of stale, cold air and stiff comforters on top a bed at the Best Western--A living proof of how you've changed. After you finish and inhale and burst your exhausted, satisfied breath, I sweetly kiss you--your neck, your jawline, your cheeks, your forehead, your eyelids. You hold us in and sleep as if a few drinks are enough to forgive. I tell you to slow down because you owe me about 5 years to make up for lost time. You slip your tongue down as if I had not broken your heart. But a man learns, and that's our biggest difference--man and woman, you and I--you've grown cold and moved on to content loneliness and betterness than to give a girl who's hurt you a second chance.
Me--I've grown to let the warmth run over you, like a hot glass of water from a motel room sink after an ******. Past content, loneliness and betterness than to obsess about a boy grown sour from a girl too hurt to not want to take back the past.
We check in for the night to "make up for lost time."
We check out.
What's a girl to do?
Other than watch you sleep so still like you used to next to me, even with still blankets, it's cold. Hold me?
We walk out to our cars on a hot, departing Fourth of July.
I coax you into closing your lips over mine before you leave, but the key is already turned in. We already ate our free breakfast, ******, scratched, bruised.
You've already checked out, so
what's a girl to do now?
What's a girl to do?
AND
I cannot forget Whitman's words: "We were together, I forget the rest."
AND
Vonnegut's epitaph: "Everything was beautiful and nothing hurt."
AND
"Every time I kiss you
After a long separation
I feel
I am putting a hurried love letter
In a red mailbox"
AND
I feel like a one night stanza written by you who is more beautiful and unforgiving than words on a page
AND*
I am not drinking quickly enough--or enough, despite the speed
AND
Bukowski's poem:
year-worn
weary to the bone,
dancing in the dark with the
dark,
the Suicide Kid gone
gray.
Ah! the swift summers
over and gone
forever!
Is that death
stalking me
now?
No, it's only my cat,
this
time
AND I DIGRESS BECAUSE
my dear sweet Ambien Walrus has abandoned me in reality among the living. So blissful breaks, only a stomach churning in the minutes passing of a long night.
No worries, Mr. Walrus. I'd abandon me too. Only drinking, imagined aliens, crying and words here--words to document your blessed coming and mournful going into the wee hours of the unforgiving days. There is no glory in the mornings. I watch for you as I watch the hours pass. No bliss in the minutes stretched over the midnight break. Only words, no blessing, no grace, to pass the heavy nagging of the night. Will I see you again?
"We were together, I forget the rest."
What's a girl to do?
AND
oh yeah, drink more. Fingers crossed.
What more can a girl do, really?
OH
take another drink before the liquor runs out.
AND DRAW UPON MISTAKES PAST
I know this letter is getting out of hand
BUT
hear me out for all the words you never had to hear. I promise I'll throw in a joke somewhere.
AND
I sneak outside for a cigarette and watch an armadillo rummage closer to me while I search for another poem to make me feel better, another poem for this letter to you I will never send but maybe, if the situation's right, to read to you on some drunken night. I promised you a joke, but now, I giggle at my own feelings. Maybe you will too. I hope you laugh too--At my hands so aching, at my torn apart ******, at my silly feelings and words to help me forget a reminiscing night of you pushing my hair from my face so you can see my eyes when I purse my lips down below.
SO
here's your joke, I suppose.
This one's on me.
IN CONCLUSION
"At 23, the best of my life is over and its bitters double...I am sick at heart...I have outlived all my appetites and most of my vanities."
Byron knew the futility of joy in little things. In my quest to overcome a trivial ache, I have re-imagined a familiar road to uncertainty, instability, and insanity.
How great thou art!
Give me sleep and less slipping into this place of comfortable communion with the illnesses of my mind.
Of the body of Christ.
Amen.
Lord, I am not worthy to receive you, but only say the words and I shall be* sane.
Like Lazarus from the grave:
"This is not what I meant, at all."
"That is not it, at all."
God bless the blue.
What else is a girl to do?
BECAUSE
From the wards, I smell the mourned words of a place that I called home--this imaginary place that we must reinvent ourselves. Maybe mine is on Corporate Woods Drive, and all this--this is just a yellow brick road with little munchkins sweetly singing, follow it back home. I'll skip in a pretty dress with my friends and my babies to smell the grey walls and be asked of safety. I get lost every once in awhile but the Cheshire Cat asks, "where do you want to go?"
"I want to go home," I answer.
"Then," says the cat, "it doesn't matter."
IN OTHER WORDS
"I'm afraid I can't explain myself, sir. Because I am not myself, you see?"
"I wonder if I've been changed in the night? Let me think: Was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I'm not the same, the next question is, 'Who in the world am I?' Ah! that's the great puzzle!"
SINCERELY YOURS (AND MINE, TOO)
Natalie
