It was nearing the end of the rainy season. Steady downpours muted all other sounds of the village, the time when everyone slept soundly through the night. The rain had not stopped for weeks, until today. Khadisa woke up before sunrise again, to the smell of cool fresh air, no humid chaleur. She remembered the dream, a girl standing behind a waterfall. She said she could hear her voice, but not make out the words. And the water turned into doves, their flapping wings like beating drums. She started dancing to their music, and blood trickled down her arms and legs in the moonlight.
She uncocooned herself from the medley of blankets, warm tangled sheets still playing hushed reruns of her dreams like seashells reciting ocean lullabies long after the tide. She untucked the mosquito net from under her mattress and silently pulled on her sandals and coat as to not wake her roommate. Mariama was still asleep. Khadisa looked over her shoulder to see her friend nestled into the warm pool of the missing body under covers from where she laid, burrowing unconsciously into her ghost. The amber light of the hallway spilled into the dark room like cream rendering black coffee lucid as the sunrise still hours away. She preferred nights like these, when her husband was away.

“Come back and sleep?” inquired a small voice from a pillowy soft, dream-like haze.
“I’ll be back. En bimbi, Mariama.”

Mariama’s birthmark was just visible from under the covers on her petite frame, an angel on her shoulder flying towards the heavens, to her curly bronze sun-kissed hair and constellation freckles. A memento mori of Icarus before the fall. She was not her blood, but she treated Mariama as a sister, a missing half of herself that had been long forgotten.

XXXXX

I wake as if underwater, neon light and sound blurry like I’m underneath a murky lake. My head throbs. Long tendrils of seaweed bodies sway in foggy currents of flashing, turning, strident beams of light. I’m ascending, body buoyant without weight, as I try to move my numb limbs. What did I take? I look at my hands, the smears of fluorescent orange paint and powder. I just wanted to be free, to fly. Feel the wind, soaring down the mountain path on the back of Mariama’s moto. I stretch my arms out, close my eyes and become the air itself: drifting, unattached.
XXXXX

Guided by light of the full moon and Venus rising, Khadi eased the door shut behind her into the latch with a gentle gratifying “click”. I’m never in the same or different places, but I am good company regardless. I depart as air, a constellation rising. She paused and listened to the morning. Epiphanic night colors divulged to her the secrets of sleep-singing crickets, dream-dancing of cassava leaves, crystal-painting of morning grass. She recited the symphonic canticle with her footfalls on the uneven gravel path to the well, the delicate sway of cotton as she walked in the occasional whistling paths of mosquitos. Soaked in tepid moonlight overflowing from the frame of the mountain Chien Qui Fume, she turned off the path into a grove of trees towards the river, and felt like she was disappearing back into the dark.

xxxxx

“another nuit blanche, huh… or should I say matin? The two must be the same at this point for you now. Just a perpetual, non-stop existence.” Mariam added skeptically, eying Khadi over a steaming cup of ginger tea. The wood from the fire crackled, as if in agreement.

“At least you have hot water for breakfast. Anyway, I am used to waking before sunup to prepare food for the family before the hospital shift.” Khadisah added, “I’ll be fine, habibti. No worries.”

“I know your dreams are getting bad again. Hunde kala e saa’i mun. Everything in its own time. Take care of yourself first, for once.”

She struck a match without reply, lit the candles, and poured herself a second cup of tea. Mango flowers unfolded outside the kitchen window, drinking in the early morning warmth with dusty yellow hands opening to heaven. She held the matchstick and watched the flame approach her fingers, remembering the countless needles she has sterilized to perform surgeries even the male doctors were too uneasy to attempt.

“So, what grand prophecies did I miss in the stars this morning?” Mariama put on her glasses and slid them up over the bridge of her nose with her index finger.

“The usual 3am omens, no bad spirits.”

Mari hummed a little hymn to herself and half-smiled as her green eyes flicked downward to her open book and wordlessly melted away any tension as if she were the effortless break of dawn dissipating a mere cloud of morning fog.

Xxxxx

A songbird starts singing a clear soaring cadence. And I am falling back below inundated shallows. I feel her soft blonde hair on my face, her colors warm and sunny. My name over and over and over. She’s shaking me, but I can’t speak. Her voice is perfect, it is all I hear anymore. Mariama with ivory skin, pastel hair. A ghost? No, a child. No more muted ringing in my ears. I melt into her as everything goes black.
My father was kind, unlike most from where we’re from. The kind do not live long enough. Walking in tall grass before a storm, the wind would whip at us in riotous orchestral gusts; I spread my wings and let the weight of air lift me away into the music. I closed my eyes, face upturned to the swelling rainclouds with pregnant bellies. “My Khadisah’s a little bird! Keep spreading your wings, and you’ll fly across the sea to America one day,” he said in French, the language for educated men.
xxxxx

Prep is the hardest stage for projects. Mariama starts in the cold shop, mapping out the light and colors, the size and shape she’ll be sculpting with. When it comes to the glory holes, something else takes over. She was a fote, of mixed blood. From a family who supported her education, her liberty. She thought of Khadisah’s upbringing, pushed the thought from her head as she focused on the heat of the furnace, the twist on the yoke, and the heavy grounding of the pipe. The sound of the port outside the open studio window grounded her, Conakry’s canoes readying their nets, bobbing in the sunrise stained glassy waters. Khadisah is sea glass, she thought. She heals others as she cannot heal herself, a polished stone ever-changing, and strong to the core. Shaped by something bigger, without choice. Although, the fact that there is no true place for us is shattering. But we’ve learned to live with jagged edges, smoothed them in buckets of the rains we’ve carried for miles on miles. Words can be shrapnel, written of the body, in perpetual ancient gestures. Looking down at the glass on her worktable, thin frames of women curved in dance like limbs of a tree in a whirlwind. ****** hieroglyphics speak of the writhing societal inconsistencies, the murky waters from which we fill our cups. The scars in their hearts built by the privileged, defiling bodies and souls without consent.

They are the ones who do the slaughtering.

xxxxx

“I have always loved mythology,” remarked Mari after perusing a chapter or two of her novel. It was a miracle alone that she knew how to read. “Shame that we lost so many of our stories, women.” Khadi had lost track of time, meditating on her morning rituals. She glanced at the positioning of the rising sun on the burning horizon through gaps of light through red kaleidoscopic trees.
“Next time bring me with you,” Mariama suggested, tapping her temple and pointing to me. “To your walking dreams, I mean. Wherever the night spirits guide you when all other men are sleeping, and the world is entirely ours for the taking.”

Khadisah’s gaze fixed fiercely on her friend’s once more, and the whole room erupted with the veracity of fracturing, interconnected, rampant red color. I try to keep my visions to myself, thinking about what used to become of them.

Glass is an extension; it exists in a constant state of change when molten. People change every second, in a constant half-light of who they are and who they will become. Like the lake between dreaming and reality, or a painting in constant interpretation. A word without formal translation, a feeling. Making stained glass, revelations of shape-cut fragments are painted with glass powder and fired in Mariama’s homemade kiln, fusing mirages of paint to the surface. Soldering joints with lead for stability, there is something meditative of puzzling together their memories. When glassblowing, she breathes life into her art, a revitalized self of otherwise secluded rights. Unveiling colored lenses of filtered light, she distills her life, betrays time. Creating is second to nothing, as concrete as petrified lightning in sand, and the fern-shaped kisses of lightning flowers on skin of raging energy.

xxxxx

It was dead winter, dead night. No shoes, no coat. I stopped answering Mariama’s calls. Too many glass cuts and bruises, empty nights. Walking up the snow-covered sidewalk to the chapel, Khadisah felt like she was buried in the new seamless blankets of fallen snow, fallen angels. Sometimes she forgot who she was. Because she cannot save everyone. A wandering ghost, an oracle without omens. Streetlight glowed through polychromatic windows, complex renderings of tall white figures preaching of salvation. Vivid crowns of gold, marbled robes, and flecked wings outstretching and draped by flickering light on the walls. It all reflected on her skin, histories of stories in light. Candles softened the hallway with the smell of incense and old books. Khadisah sighed and exited, reentered the snowy dreamscape outside, and looked up at the universe. The absence of light was beautiful, empty, and full at the same time. The window from a miniscule existence, what oddly calms and keeps us up at night. It was quiet, no wind, no moon. She laid down, a kite without a string. She started making snow angles and let herself cry about them. All of them. The pain when her husband visited, her daughter’s inevitable path like hers. The imprint of her body congealed to glass by the time the sun rose again, and she spoke colors to the stars. The seasons changed; the stars realigned. And more snow fell into her ghost.

“so, who’s gonna take you home, huh?”

I wake underneath Japanese maple, red leaves outlined in dark umber flaming against the clear blue sky. After a deep breath and regaining my surroundings, I evaluate where I am. The underdeveloped path from the reservation meanders back to site. I don’t remember what time or day it is, but I stand and jump across a trickling iron-red stream, I land on the other side a bit older, a bit wiser. Outlined in sweet grass and sage, I gather the herbs. Mint, sumac, elderberry, and yarrow. Sunlight guides me, and I thank the earth. Wah-doh, I say to the four Winds. Peace.
The mint leaves burn, and their ashes float towards heaven.
-----

Like tuning into the radio station from deep in the forest, she heard fuzzy, fragmented sounds. She felt light against her closed eyelids, but only saw a shoreline. She knew it was a dream. The trees aren’t right – the leaves were replaced by flowers, lending their neon petals to the dense sunset air. Standing in tall sweet grass, but there’s no gravity. She looked up, and saw the Japanese maple, the embers of leaves. And saw a reflection laying in the sun looking down—or up?—at herself. She wanted to fight the setting sun, become pristine like them. But she couldn’t hold her breath under the waters for too long. Spilling from the vase of an inviolate soul, sewing the stars like her scars. When the day is burned, we vanish in moonlight.

_

Working in the hospital, the color red. Panic attacks disassociate Khadisah from reality. She can still see, but can’t move, and only watches the violence as she crumbles under the skin. There were more angel marks, more places, less friendly. Stitches from infancy to womanhood, pedophilic ****** rights. A mother at 13, she cried for days and... feels the words rush back like water flooding all around her, rising around her body. This isn’t flying, this is drowning. So this is permanence, imprisonment from identity. A body collaged up and down, cut and fragmented on city and rural streets like vines salvaging mutilated walls and shattered windows. Being so stuck she was free. She saw a lost childhood in Mariama’s glass, and she was light as a feather in her father’s arms again.

The men say the seizures are from the Diable, but it was worse than that.

Even glaciers sculpt land and cut mountains over time with oceans of frozen glass. But earth was flooding once again.

And there was no blood on her hands.