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Jun 2013
I had run about, and my feet hurt,
all I could think of, is let me make it end today
and I did it, signing off with a secretary, as she left with her friends

I carried the small burden of a year of persecution
the worst job I ever had,
and he was there, in the cement quad,
talking, saying goodbye

What horrible things he had said to me this year
I wasn't even suited for this profession since I was so anxious
in his presence, since he is all knowing
And when it was too much, I cried, and of course
I shouldn't do that, but that made things ten times
more offensive, I felt like I had a target on me
so I made up a labor attorney I had in my corner
and when he was on the attack, I brought her up
and he fell silent and was more careful

And I saw who he'd promoted, as chief rooster of the English department
since it is a hen house, and he gets too lonely just as a vice principal
that he has meddle and control and pick and decide and ogle
and pretend he's not and revel in so many women in one room,
and he has power over us all

And just that day, he strolled through a Paris City Park
Tree lined, in Spring, with dappled shade on the ground from tall
trees, and metal fences, and people sitting on benches
having fascinating and illuminating intellectual conversations
and well employed and turned out people
strolling along, perhaps some even dressed in nineteenth century clothes
everything in two dimensions,
He the gentleman, her the lady, an impressionist painting
colorful and imprecise, more a dream than reality
of the good life, and harmony, all with a slight Sienna tint, in two D
it was, in reality,  in the gum stained quad in the blazing sun
and she was married to someone else
but she had that perfect English teacher look, blonde
and bland, with giant blue eyes and a bun,
and a dress that cut just below the knee
and blew gently in the hot breeze, flaring out and revealing nothing
but the middle class acceptability of the fabric
and I dashed, really ran by holding my charger, to the computer I turned in
and through the scene, tore a wave of three D, and the Sienna tone
had a trail cut through it of true digital color
and he said "wow," as a vision from the 21st century ripped into his world
and I imagined her boring me to death
making my favorite literature as lifeless and dull
as a computer manual, or a endless apartment lease,
and together this lady and gentleman, they were totally in sync and ready
to frighten another generation of students away from reading
forever...

Later he stood and he saw me
speed walking away from this world
and he gazed at me, waiting for me
to pause, for there to be a bit of nostalgia
and warm good will between us as we exchanged
niceties that were only the tips of a much deeper affection
and respect between us, and I saw him preparing for this
and my pace didn't slacken
and I felt like he was again in two D on a film screen, I, a steadi cam
smoothly floating past, taking in every detail, in slow motion
And I looked at him as more of an object, not a person,
because I couldn't bear all the feelings and thoughts and anxieties so I left him in two D,
watching him I said "bye"
and I couldn't hear what he said because the camera moved
past very quickly and all the sound was muted,
distorted, impossible to understand except to know
it was sound like what you hear underwater

and it was only later, five blocks away, that I burst into
frustrated, pained, angry tears, and I felt again, three dimensional
and alive and hurting and the sound around me boomed back, in all it's chaotic detail,
cars and people and the radio and my own human pain and I realized
I made it
Zulu Samperfas
Written by
Zulu Samperfas
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