Every noon we sit for food, sit in chairs cold as tombstones even after waiting in the sun. On cloudy days they are ice and we wonder why the wood and iron have so much hate.
I believed only men could hate, and pondered while having my food. We only bring bowls made of wood as they donβt mark the tombstones, but like the chairs they are ice, unaffected by the sun.
My thoughts fixate on the sun and how light does not wash hate but should be melting the ice while we prepare our midday food. Still cold are the pieces of wood we use, and the dark tombstones.
Now I know that the wood is simply blocked from the sun, and the heavy tombstones siphon off of our hate to use as bitter food to help them maintain the ice.
I came to realize the ice is not only in the wood but covering our food, defying the warmth of the sun. We realize that our hate is why there are tombstones.
All the hard etched tombstones are now three feet beneath ice next to us, and our hate in the iron and wood. We pray for brighter sun and some stronger food.
But heavy food wonβt delay our tombstones. Nor the brightest sun melt our ice stuck in wood boxes, strengthened with hate.
Sestina's are also quite difficult to get out, but experimenting with forms is required for class, and is also a very valuable tool for any poet. I recommend everyone experiment with classic forms whether currently studying or not.