Your poetry holds picnics in the places where some would say that words should never go; there's strange delight in passing through those spaces where nouns are tame and verbs are safe to know to kingdoms where you colour past the lines, where adjectives and adverbs long to tread— the other side of “do not enter” signs where rulers cannot reach the words you said. Yet nothing's for the sake of mere transgression: your words below, your metaphors above, with every part of speech in your possession together make a verbal kind of love; conceiving thought anew, and giving birth to cast and recreate the very earth.
For Carmen Machado, who is the sort of person poetry should be written for.