Too many ghosts
Who’ve drank from the Grail,
Have commented on its peculiar shape:
A vital substance in a Klein bottle
Has nourished the metaphysical,
And gave it suppleness
Like skin, but without nerve-endings—
Like plastic
These mobisian volatilities have taken
All vertices outward, prisons of prisms
Are not special to the spirit inside
But the monstrosity appearing
Astride the Rio Grande:
Eyes and ears posted
All along the prism’s edge
Contain so many lives yet to be lost,
The arms of the ghost
Surround the outside
With rusted-over armor to keep the Fates
Locked away indefinitely
Beating, starving, and ******
All lives coming to the edge of the undead.
There, from across the impossible barrier,
One can see the astral projection
Of death-animate within—
What is a prison outside is, by definition,
A prison inside
Guarded by a lily-white panopticon
And its pale imitations
Kept warm and safe in the rebel’s undead embrace.
When the transformation happened
Is anyone’s guess, but by the love
Of a dispassionate hatred,
A distant, fever-dream voice
From a white house upon a hill,
A clarion made of echoes,
The prisoners latch to one another
And form the body of a great scavenger—
By the vulture’s keen eye for death,
It picks off those who cannot stand
On their own two feet,
Those poor, huddled masses,
In one hand holding the AR-15,
The other, a bushel of nooses.
The vulture screams!
Ride, ride you wraiths!
To the border, ride!
The invasion of pained flesh
Shall never break the adamant heads
Of the patriot’s ghost, hungering
For the blood of a place
Victimed by the very body
It sought to bury,
As the body labors,
Eats nothing but its pride,
Drinks nothing but the slop
From ****-and-vinegar soaked
Rags of American flags strewn,
Torn asunder, ringing them out
To, one day, make Molotov cocktails
So hot, their blaze could boil ectoplasm and
Finally rattle staid hearts
Thousands of miles from the suffering,
A distance turned artist, apathy and hatred
Become this new face of humankind.