I. Anna Sophia, 1878

Her name unfolds like raw white hands
small zaffre eyes, hair gold against her neck,
while the autumn air wafts flaxen motes
the men return from the boats and fields.
She follows the soft ripple of black birds
taking flight from a great distance.

II.  Annie Axelina, 1901

Her ankles are angry chaffs of red rings
as she circles the harbor, Torhamn pressed
into a pale flower between winter’s pages.
She cuts across the black ice lea
with my stride. She boards a boat, daughter
wrapped in her arms, leaning into the gale.

III. Eleanor Maria, 1921

Her roses are blooming burgundy against
the blue of the house and the kitchen heat
curls wisps of blonde into gnarled vines
under her nursing cap. She sews neat rows
of nursery rhymes into a blanket, leafs through
a green scrapbook of poetry and recipes.

Her name echoes back wings and the yearning
lilt of a language not entirely lost to me.

IV. Elizabeth Marie, 1991