Ornamental graves set like feasts for unfaithful lovers, the broke marrow of virtuous phantasms, now swaddled rapture chanted as basilisk verses. Scarred Alice wraps it around torn limbs-- festering gauze--the cynical made anew.
"Creation moves," the gluttonous moper speaks again, "to erase itself." Alice's children blasts the afterlife caboose to the front of the freight --saeculum saeculorum--
"Wake again and again without ghosts and wrath, dear children." The wind whispers their souls back to her--"the molding of men and women attend to sponge the graves dry."
They will raise themselves --chanting the basilisk verses, mother Alice departs her children twice to the corridors of rose fields in her naked cloud.
"Come back, dear mother...." "Come back, dear mother..." they chant, "Your salted epitaph still lingers in our throats."
Not fit there or here. Nowhere, Miss, nowhere--
Sin is the party that doesn't die and neither does the health of lyrical sand.
--Floaters like discontent Alice, recreate the world, --our world with pastels and finger-paints doodles on Arlington headstones --messages for our ear bones --disasters on eleven turning stones roll over--tortoises play dead but whisper, "Clergy cerebral won't wisp away beds of jewels. I pity people who think themselves powerful.
"Frost-bit devices dilate like the hands of a watch tearing time apart with rusty blades.