this poem is based on an essay by the modernist sculptor Barbara Hepworth*
The present moment is the only real time. Tradition no longer a day-dream and things that have been made seem like the unfolding of one idea, the growth of some great tree.
Relationship and mystery make loveliness, such loveliness to project into sculpture - not words not paint nor sound: because it cannot be a complete thought unless it could have been done in no other way. It must be stone shape and no other shape.
I do not want to make a stone horse that is trying to and cannot smell the air: the sensitive nose, the moving ears, the deep eyes; these are not stone forms. I want to make a living thing in stone, to express my awareness and thought of these things.
To carve is not enough there must be a living and moving towards an ideal.
In the contemplation of nature we are perpetually renewed, mystery and imagination kept alive, rightly understood, gives us power to project our abstract vision of beauty.