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Feb 2013
exhaust’d thru months of
stress’d quandaries. have
clear’d the worst. and
i ripped through older
pages, stealing the words
that sound’d best. the
only ones
able to fluidly
patch fragments. brake.
been a long couple day(s);
singular, i guess. and
the sassy black chick,
she doesn’t give a ****.
never did. and friend is
asking why, asking
questions of the sky.
  - what if what’s complicated
     is so because we never
     let it be easy?
infectious thoughts of
what to do to complicate, or
of how we might proliferate.
and ringing:
  - why not just be easy?
and ringing:
  - you’re just going to have to
    stop having fun for a while.
and ringing:
  - i mean, not quit, but
    ease up. don’t spend
    your money.
knowing is ninety-percent
of the problem with
stubbornness. and remem-
bering when first told
to get on with it –
to let go –
the other ten-percent.
and being one day closer –
to be one minute closer –
brings restlessness. and
i lay my head to rest, if
only to pass time as lids
squeeze light from eyes.
and thoughts, peaceful a
moment prior, begin to
rage. to thrash and stomp.
to draw from dead qualms
and questions. and past
turbulences become reali-
gn’d.      yet,
most were left behind or
under the Pinelawn.
something missing,
memories of how her
**** were like tiger claws.
brake.       get on with it.
and the vessels of my eye
throb in ticks. forcing
metronome. and i count the
seconds, the seconds
on minutes
on hours
on eternity. and if
i were here – if
i were awake – when
the sun came ‘round,
then perhaps the metro-
nomes tick would cease. or,
let it go, get on with the
passing of time.
getting on with it, to
force the dawn sun
to rise of me.
Filmore Townsend
Written by
Filmore Townsend
1.5k
   Emanuel Martinez and JJ Hutton
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