in traveling letters from you I feel that we too
could visit Barcelona, or a far off European museum
filled with righteous Athenian romances layered
with Greek sculptures. In lieu of studying
the curves of their form we’d rather find ourselves
taking in our bodies, yours being far more interesting,
forever, than those all beautiful, ivory, and headless.
When I receive Frank O’ Hara in mornings over coffee
rolling off your tongue and into a black roasted cloud;
I smell even the greyest of overcasts—- our bodies
pressing against solemn and still in some bright yellow
cab wedged between the bustling bikes and buses
of New York City. It is only appropriate because you are
as aesthetically striking as a skyscraper, because your mind
is as vibrant as every neon light guiding me like a
moth straight back into your shape.
When I receive Frank O’ Hara in our first apartment,
may it be ideal or busted, begin with one block of prose
framed against the entrance wall as the eggs cook
contrarily, its yoke the orange color of evening light.
Warm near the ashtrays centered for our guests filtering
to and fro. Small in pacts and lovely like neighborhood flowers.
We’ll press our bellies side by side, the corners of our bed
holding and map Madrid, or even further to Japan, with our
fingers tracing like constellations upon the rest of the empty
spatial plaster. Left that way for only his words and the rest
that is left between us; all that is naked and unspoken.