Sep 2012
Ushers clad in white rush the masses to their seats.
Talk dulls to whispers as the queue outside depletes.
A black suit waves his wand at centre stage.
“It looks just like they said it would on this week’s news’ front page,”
they say.
The tuxedo raised its hands, to quell the audience,
His stonewall face daunting, demanding perfect silence.
As the ushers move in tandem, down the aisles to the stage,
The curtain breaks, the glasses shake, as the lights begin to fade.
Hooded figures appear, wheeling metal tables
Bearing cobalt cadavers, held fast with jumper cables.
They are brought to centre stage, to three white-clad physicians.
Tools are passed into the hands of each the meat-magicians.
“Thank you. You’ve arrived very much on time,” says tuxedo,
and he snaps a shot of bourbon.
Curtains billow ‘round the stage like clouds of clotted blood.
The lights dim and the show begins, the audience waiting, rabid.
And through the obscurity,
Through the gloom of the room,
They see the white-coat men lift their arms in unison,
As the tuxedo points his wand about like a handgun.
He waves his stick at the white-coat men
And they lower their hands to the bodies in front of them.
They hold tools with blades short and long,
and dig into their subjects.
They pick through pith and pulp,
casting flecks of flesh into the audience.
Their white coats blush deeper and deeper
the farther they dig with their knives and their peepers.
The tuxedo thrashes his wand astir, directing the dissection with little discretion.
The audience gasps and murmurs a disturbed digression
but watch with wide eyes in disgusting obsession.
“Someone’s got to teach these ******* a lesson,” says a white-coated man, digging deeper depressions.
All the while the corpses lay, until the tuxedo man bends in plie.
And the cadavers awaken and scream upon seeing their entrails laid out for display.
“What a horribly carnal ballet!”
they say.
The audience clamours, simply enamoured,
Erupting with tears, and applause, and laughter.
They clap at the bodies exploding in seizure
While the white-coats rip and cut to their leisure,
The subjects watch in horror as they are filleted,
Their own pelts and rinds are stars on Broadway.
Suddenly the tuxedo man stops,
Signaling the white-coats to stop in mid-chop.
The mangled bodies see on the floor themselves in pieces like the dried needles of pines.
And they curl and writhe on the metal tables, hugging tightly to their own spines.
“Thank you. But it seems we’ve run out of time,” the tuxedo man says with a bow,
As he wipes the sweat and blood from his brow.
And the ushers rush the audience out,
While the hooded men return to collect the waste
While the audience leaves feeling nothing close to disgraced.
“I’ve never once seen a better display,”
they say.
Talk dulls to whispers as the queue outside depletes.
A black suit waves his wand at centre stage.
“It looks just like they said it would on this week’s news’ front page,”
they say.
The tuxedo raised its hands, to quell the audience,
His stonewall face daunting, demanding perfect silence.
As the ushers move in tandem, down the aisles to the stage,
The curtain breaks, the glasses shake, as the lights begin to fade.
Hooded figures appear, wheeling metal tables
Bearing cobalt cadavers, held fast with jumper cables.
They are brought to centre stage, to three white-clad physicians.
Tools are passed into the hands of each the meat-magicians.
“Thank you. You’ve arrived very much on time,” says tuxedo,
and he snaps a shot of bourbon.
Curtains billow ‘round the stage like clouds of clotted blood.
The lights dim and the show begins, the audience waiting, rabid.
And through the obscurity,
Through the gloom of the room,
They see the white-coat men lift their arms in unison,
As the tuxedo points his wand about like a handgun.
He waves his stick at the white-coat men
And they lower their hands to the bodies in front of them.
They hold tools with blades short and long,
and dig into their subjects.
They pick through pith and pulp,
casting flecks of flesh into the audience.
Their white coats blush deeper and deeper
the farther they dig with their knives and their peepers.
The tuxedo thrashes his wand astir, directing the dissection with little discretion.
The audience gasps and murmurs a disturbed digression
but watch with wide eyes in disgusting obsession.
“Someone’s got to teach these ******* a lesson,” says a white-coated man, digging deeper depressions.
All the while the corpses lay, until the tuxedo man bends in plie.
And the cadavers awaken and scream upon seeing their entrails laid out for display.
“What a horribly carnal ballet!”
they say.
The audience clamours, simply enamoured,
Erupting with tears, and applause, and laughter.
They clap at the bodies exploding in seizure
While the white-coats rip and cut to their leisure,
The subjects watch in horror as they are filleted,
Their own pelts and rinds are stars on Broadway.
Suddenly the tuxedo man stops,
Signaling the white-coats to stop in mid-chop.
The mangled bodies see on the floor themselves in pieces like the dried needles of pines.
And they curl and writhe on the metal tables, hugging tightly to their own spines.
“Thank you. But it seems we’ve run out of time,” the tuxedo man says with a bow,
As he wipes the sweat and blood from his brow.
And the ushers rush the audience out,
While the hooded men return to collect the waste
While the audience leaves feeling nothing close to disgraced.
“I’ve never once seen a better display,”
they say.
