grotesque old Tomon-go in that corner he holds in the market he looks angry, fierce and his open mouth inside as red as the feet of a fighting **** Ah, his words fly like arrows helter-skelter some miss, some strike – he does not know what missiles he sends, what he throws and in turn anything he receives he throws back with quadrupled energy
He looks fierce, he looks mean all relatives say in hushed tones - but he’s really nice, a softie with a hard exterior
at the market his face is convoluted there are a hundred writhing beings that make up his countenance (each a contortionist) the energy of the practised old grumpy men live in his hands and he unleashes words that make everyone recall the last tsunami
He looks fierce, he looks mean all the women and men in the market say in whispers - but he’s really nice, a softie with a hard exterior
Ah, poor Tomon-go, his words and manner isolate him he hurts others and is hurt in turn Poor Tomon-go, poor all who come in contact with him though they might whisper to one another: *He looks fierce, he looks mean but he’s really nice, a softie with a sharp tongue and grotesque exterior
based on caricature art by Utagawa Kuniyoshi (歌川 国芳?, January 1, 1797[1] - April 14, 1862