Can you call out to the night in a voice that reminds me of innocent days? Where often I appreciated the sunlight's grin as likewise I did your own, and exclaimed my surprise at the late evening's chill, a breeze milder, really, than any touch of hands that knowingly await their bodies' compromise.
I sing of a frankness lightened by a cherished voice's warm reprieve which follows in tunefulΒ Β adept time.
Mournful as that time without you being spent half in memory And yet still courting bliss.
These petals that transfix the passagemakers of this city when falling they touch ground markers of these Labrythhine stowaway quarters Petals that are eyes open on a map offering views restricted by Their very habit of spreading across.
These watching fellows are not but could be cherry blossoms whose sudden appearance wakes up students on elevated trams They are not the spires of those finest, sun cracked churches but they could induce the same inspiring awe as though they were crystallised, white on black, boughs that made the roses of this land appear washed out like bleached hair after a shower.
A downpour begins, and as gracefully passes over by you turning toward our balcony window as if hearing the songs of The night call back to you.
Calling all the city's secrets only rumours Simply songs for worrying Lovers Lovers who should trouble only to remember songs and let voices, floating rise Above.
Some of the imagery inspired by this song came out of watching Spike Jonze's film "Her." (2013) Though a lot more of it came out of a recent trip to Venice, and there's even some Zurich in there too.