We slump on the couch when we return like lifetimes
have passed before us.
We have to, even though it was only a seven minute walk
to the dining hall, because 1) the food was just
“weird consistency”
(which we tend to say regardless), 2) the light
in there yawned indifferently to us (when does it not?), and
3) the reassuring clink of our forks on our
plates wasn’t even there this time it was
hiding underneath slop
and smothered on top by the intruding sound waves
(who asked?)
of our next-table neighbors’ lives.
You made a sly remark about seconds to catch
a glimpse of youthful ****
She’d gone to get some more baby carrots and cucumber slices
to put in her salad maybe
(who knows? who cares?)
Either way, her youthful **** would make the food taste like
something to you. And you
described them to us when you sat down again so
the slop would taste like something to us
(there’s pride in that type of generosity, don’t forget) and
(congratulations)
we had the faint impression of
some sort of
****** there, but
we didn’t tell you
(it’s easier that way).
A cup, a squeeze, a kiss on her ******* yes that could feed
our hunger for a night. And tonight was a night
like any, so her ******* led us to talk
of women, and women led us to talk of
love
(and the blooming one for the poor *******
as we who lost withstood the vicarious twinge of
an addling ****** very different from
the first.
This one led us to pine for sweets, but the ones we found
were dry, so we left the table, left the dining hall, looking around at
the others: the lonely, the couples, the blessed
lonely couples, and the fortunate friends
huddled against everything with open laughter, enjoying
the weird consistency like drunk theoretical physicists before
they discovered bubbles and inflated eternally meaning
when they safeguarded a
zoo with a pistol they didn’t know how to
use, in Soviet Russia.
(So you see?) We have to slump on the couch
when we return like lifetimes
have passed before us.
No one even bothers to pick up a guitar, we leave all four of them
strewn on the floor like
dead wooden boxes because
Dylan or Young or Cash (or whoever)
is already in the living
room. Any
bubbling, inflating, theoretical physicist
(any drunk, pistol-packing zookeeper, for that matter) will
tell you that.
So we slump, comfortably uncomfortable,
(at least we’re trying!)
feeling their (our) strings plucking. No sounds, no voices.
Because we don’t need
to hear this that.
Not right
now. (Not right
now).