It was raining and it was morning.
They sat in the car underneath a tree, upon a hill, overlooking the vast cemetery below.  Clichès still have the potential to be beautiful, they know. Intellectual awareness allows for understood symbolism, the death of that which dies at a cemetery, the emotional downpour demarcated by rain, the interstitial distance of looking forward and down.
Silence and language working symbiotically as a stratagem to both hide and reveal vulnerability.  The clichè of their location works with the conversation.
He is sad. She knows.
She knows the emotional location he lives within, she purposefully disregarded his eyes, those eyes that have always stared at her from the mirror, her eyes. The eyes of those with hollow love for themselves. The selfishness of selflessness, the facticity of unfortunate neurological tendencies, the self-imposed limitations.
They speak. He speaks.
She hears him speak, she who is devoid of empathy, she reaches empathy through his words, she hears the thesis of her own thoughts, she cries. She cries because he narrates her perception of herself, through narrating his perception of himself, and she knows the meaning of it.
He cries because it is his.
He looks away.
He says I don't want you to know the things about me. The things that are disgusting.
She loves those things. It's not enough. She knows.
She talks to herself, she talks to him.
She takes his hand, they cling to the ephemeral union.
It stops raining.
They walk into the chapel, the ashes of those who lived resting upon glass bookshelves, behind glass cases. They sit upon a couch in silence. They collapse, against each other.
Two women observe the marble of the mausoleum.
They arise. The women are startled. The women didn't see them sitting; they were three feet away.
He takes her home. They fade into wordlessness during the drive. They look at each other with desperation at a stop sign.
She says goodbye. She walks away.
They walk away.