"A great artist can make art by simply casting a glance" – Robert Smithson

Not by drawing a glance,
but casting.

Imagine the studio. What
Molten materials, what
Molds needed?

Who models, and will they
Recognize their eyes, or
Is it their object reified –

The signifier or the referent
Denoted in this indexical
Congealing.

Shy, illicit, bold, flirtations, imperial,
The variations and series of directed looks,
Is this the content, or is the captured casting

The direction -  just the path of pointing:
A laser beam, redone in spider web, then
done again as differentials of the air?

And what of the early work, the
Imperfections, who filed down the seams?
And would cracks in the mold shift

The glance askew, revealing
A pliers, a heater, a
Reader’s thought?