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Oct 2015
I used to be hidden in my room
choking at my mouth's roof
as if stuck within a stutter,
exhausted from existing, hinging
like a wind-chime battered by a hurricane.

Then a troubadour with honey hair
had me humming to his ear-worm
of a melody, depicting a choreography
that jolted my legs into frenetic mania
like an early talkie starlet's.

For years, I have memorized
this intricate chord structure,
immersed myself in its crescendos
until I could belt it backwards.
It's the only song I know by heart.

There is this one tune,Β Β though,
if you can even call it that,
this atonal reverberation that alerts
the darkest corners of my mind,
a slowly muttered siren song
leading to lands I never want to visit.

I can never fully decipher
the lyrics to an entire verse.

It's the excerpts, scattered
like dust mites in a concert hall,
that try to nibble at me piecemeal,
romanticizing the revolving door
of self-destruction, bruises
veiled as smudged calligraphy.

So please excuse the minor notes
that hiccup from my vocal cords
every other half moon or so.

It's just the ebb and flow
of awkward drumming
that disorients the ear,
causes me to trip up
on the patchwork of refrains
we've spent so much time weaving
into heavenly cohesion.

Above all, please remember
that no static or din
will ever shoehorn its way
into our ironclad harmony.
Pedro Tejada
Written by
Pedro Tejada  Orlando
(Orlando)   
1.1k
     Sara Murray, --- and LB Parker
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