He sits rigidly, like a calcified projection on his porch chair as four butterflies churn the invisible atmospheric milk, indifferent to language.
For he is the type of verb that disdains noise, motion or being.
He listens to a radio tuned to silence, the acoustics of emotion, lacking adverbs or adjectives, pure as an oblivious ******.
He listens with intensity to that envelope of silence and says nothing, knowing that words cost a great deal and syntax calls for a life sentence ending with a period.
Already, the tense of time stalks him.
Better to leave the unsaid unheard, that single noun: death.