That was Téa’s window—third floor, the one with the burnt- sienna box of skeletal moss- roses dangling over the side, a cloth curtain tacked open, and a padded chair—royal blue against the white drywall. She said she used to watch Coudersport traffic tumble dry on low past Charles Cole, quickly sketching sedans and minivans as they left the frame.
She told me all this at a high-school basketball game, beneath a cork board plastered with black-and-white portraits of track girls with crochet hooks for collarbones.
She showed me the healing scars where she dug Swingline staples into her ankle, like mismatched thread in a worn blanket. Téa was the thread. Her parents wove her in and out of psych wards, therapists’ notes, and Prozac prescription carbon copies. Over: Dad snapping peanut necks in a bar somewhere. Under: Mom Keystone-soaked on the couch. Over back to that third-floor window: the only place Téa felt at home, though I’ve never seen it— I never even gave her my name.