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May 2011
And then there was orange, glinting in a pile
from the ground outside my second story window.
I sit and count the scattered papers on my
bedroom floor, thinking, "Maybe someday the
past and present will meet," though I know full-well
that they already have.
Now it is twofold, it is insult to injury, it is
twenty seven eleven.

We are lies, aren't we? We are thankful for
the unknown. My father sips scotch and devours the
truth. I catch my connecting flight and travel back
in time. The man in the blue coat is replaced by
the man in the black hat, the man with the feather
hat, and the man with naught but war paint.
It is like the movies, I decide. I settle on a log bench
and read the classifieds in the newspaper.

Mother and father tell me to count my blessings
as if they are sheep. I tell them that their analogy
is flawed. Morning comes and I tie a string around
my ring finger, proclaiming, "I am here to collect
thanks! Bring out your wish lists and your tattered
diaries!" I am a liar; I am thankful for nothing but
sickness and ink. I write "twenty seven eleven"
three hundred times and vow to make a difference.
I fill my car and my fridge and roller blade up
the mountain, chanting, "Noa! Noa! 'Oia'i'o! A'ole
mahalo nui!" My cries go unheard and I sulk
back down, a landslide for the ages.

I begin to write poetry that oozes pretension and
reflects obsession. I try to pronounce the disease
and instead find myself bound to a table crushed by
feast and fear. I have written "twenty seven eleven"
on my forehead and am forced to listen to the "Lord"s
and "grateful"s and "God"s and I have had enough.

I break free and head for reason.
more old poetry, this time from 2009
the hawaiian in stanza 3 translates to "freedom! freedom! truth! no thank you!"
Katie Mora
Written by
Katie Mora
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