I sometimes wish that self-awareness came inside of a pill.
Because now,
My days have been principled into a misery
I feel when I pretend to be someone
Whose face I see more than my own.
The way an actor out of work,perhaps,
Would roam their lives indifferent to reality-
Wearing a mask of paint, cloaking their emotions in thick layers,
Holding in their words in case a crack destroys
their non-existent role.
Tendering within and playing a part in a society that cannot keep up
with the ever-changing personality of a character who has no storyline to follow.

The name-calls to all stage positions siren in my head every morning,
And I am left disappointed continually as I hear every name
Except my own.
Everybody needs no 'disguise' except me and i spare no energy thinking
Of ways to mask the energy I spare creating mine.
I would work too hard to be myself if I worked at all,
But,
The work is still spared when it's used in efforts to change who I am...
Though you may see the make-up on my eye-lids,
You will also see the eye-bags which surround them from nights
Spent lying awake wondering what color it should be.
Though you may see the likeness intentions in my counterfeit expression,
You will also see the subjective scar of all the times they were practiced in a mirror
Which showed their real reflection.
Though you may see the plastic in the way the necessary emotions are showed,
You will also see the stains from all the tears that were shed
When they were suffocatingly tightening the skin underneath it.
It is bland the way the preparation is more strenuous than the presentation,
Yet often it is overlapped behind it...
And nobody can tell the difference.

I am controlled by a director beyond me,
And he carries out my pain in the slick of the pen he writes the details of my stories with.
He holds it tightly,
As the ink lets out a permanence that suggests flawlessness
In the style
of continually writing tragedies upon tragedies with absolutely no mistake.
He let's no uplifting, no state of miracle show as he continues with his masterpiece.
Dwelling from sequence to sequence as I follow the dullness in his path. Almost
Hoping that he will eventually realize that sometimes the actor can turn into the character,
And when real pain becomes false pain then you should learn to know the difference.
Sometimes I scream to him when it has desolated to the point of an eternal fictional epilogue.
I tell him that I have learnt from the tragedies- that I now know every emotion this mind can feel,
And the plasticizing of emotion itself will become inevitable if it is forced to have to feel them again.
The apathy created by this
would be counter-productive to what he wants me to feel,
And more often than not he will become disappointed by having his efforts shattered
By the same unfeeling mind he was trying to destroy.
The name-calls are inevitable but what happens when the name you left out doesn't care
That it is left out.
You can re-write all of your tragedies but sometimes you'll feel more affected by them than the character who you wrote them for.
And,
perhaps you'll never know the difference between crying out loud when the stage curtains are open and
Crying out loud when the stage curtains are closed but,
Perhaps you will realize you are only as alone as you want to be...

...After all,
Mutual hypocrisy always sticks within the step of each character
In the loneliness of a life spent as a play
Where,
The writer is the only audience.