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The stone sat to my left, reclusive and inanimate. Merely an object, lacking agency, will and direction. If I cast it, will it break bones, shatter windows, end lives; create anew?
Will it re-hinge some lost component in my furious mind? Perhaps.
My agency applied gives airborne ballistic revolution.

The book sits to my right in waiting, titles irrelevant. A bottomless container of irresistible beauty, a well of the fathomed and the unfathomable. If I open it, will it spill like an ocean; set ablaze dead tissue; **** and reanimate? Re-open some long lost gate, obscured by blunt force floating aimlessly in the ether? Will it usurp my mind? Will I write about retrieving my sovereignty of thought?
My agency applied supplies a dichotomy.
When I am calm
I am a storm
When I am a storm
I am calm

The calm
Before the storm.
The Doomsday Clock keeps ticking
And we are afraid, because at midnight
We know the day of humanity will be over
And the night will relinquish
The Darkness
And bring about
A New Dawn.
A Dawn devoid
Of atrocious folly.
Alkira was an Aboriginal girl
with perfect oceanic
blue eyes.

Cast out and picked up
by an even more savage and unforgiving world.
The world
of modelling.
Do we ride the rolling crest of towering waves
Or do we save ourselves the tears?
I say: Give me a sturdy raft
And I will ride.
Give me an anchor
For the windstill days
In between.
For every second
Of every minute
Of every hour
Of every day
We are in a constant state of dying.
The same way
For every second the sun
Spends across the sky
It is setting.
Her face twisted into an implosion of shame and regret.
Her pain and pleasure at their most pure and most profound
Exploded in her eyes in perfect symbiotic disharmony.
She locked her thighs around his head.
She crouched into the fetal position, as if she was being kicked.
As if trying to defend herself. A few seconds of inaudible
breathing before her thighs lose grip.
For
Against
01100101011
on/off
in/out
dead/alive
deaf/blind
through/between
Every cross
on every road
Viddy the screen
&
let the sun evaporate
every tear
I am artsem issue
Issue not from goodsex
Unperson unfit for ownlife
Think strict bellyfeel
Doubleplus undark
Rectify misprint in oldthink
Blackwhite
Ref. joycamp issue
Not fullwise goodthinker
Of The Golden Country
- Derived from the Principles of Newspeak (George Orwell) -
Chew the water, and don't breathe the air
You weave Apocalypse in your loom
You paint Armageddon on your easel
Black watercolour
Made from human ash
Bombing in the microwave
The embers will die, and the winds will cease
Like the fingernails of a corpse
Trudge into malevolent oblivion
Convinced by the impotent fallacy of happiness;
Generation Nuclear Apathy
Generation Destiny Liquidation
...And the minute counter ticks away...
Tick
Tock
Tick
Tock

Eliot was wrong
This is how the world ends
This is how the world ends
This is how the world ends
Not with a whimper
But a bang.
The Crimea-situation and military mobilization has the doomsday clock ticking down to World War III, and a slight tingling fear creeps up my spine.
Light steps sound from the basement stairs.
A case of home brewed liquor in his father’s hands.
Bizarre, cancerous bulges from cap to bottom.
Plastic explosives from corrosive neglect from stow-away rooms
in white neighborhoods.

His father with a bronze idea, all of them with a destructive mind
A twenty-two saloon rifle bottled up too,
like a maniac gone off his reds and blues,
ready to fire out
with remorseless recoil.

High octane, high explosive, high art.
Cartridge clicks into the chamber.
Son like father, his aim is true.

Like twelve year olds with cherry bombs
we blast a hole right through.

******* boom! Rancid swill rain
staining the biting bright snow
There is a hit and run in my mind
And the police are too preoccupied with their phalluses
To even notice.

A lonely man, befuddled by the blunt object that hit him from behind, fades away into nothing while his crimson blood mixes with the juice of blueberries he had just bought. The pavement turns purple, and for just a split second the scene turns from tragic to comic.

The State of Mind is policed by the principles of democracy. The system is simple: The Cerebellum is the parliament, all my cognitive skills are the representatives, and the body of voters is constituted by whichever arbitrary thoughts that enter my head that day. But in reality my mind is goverened, only by the singularity of chaos. The voters don't know, but the Cerebellum knows. The representatives will never know for sure, but there is a slight tint of discontent, gnawing away, every day, at their thoughts, while they drink their coffee and type endlessly on typewriters, even though computers have been around for a quarter of a century.

You see, chaos is regressive and progressive simoultaneously. Chaos is when time unleashes logic. The future reprecussions of a chaotic event may be necessary, inevitable and perhaps even for the good of humakind and the larger universe, but the passage between vain violence, anarchy, destruction; and the ultimate moral redemption of the event; the moment where we comprehend the possible benevolence of past horrors. Chaos is logic when time is suspended.
Electric static buzzing in attentive ears, wondering how and why you ended up where you did. Stale smoke filling the air like the compressor in a carburetor.
Direct injection.
Vicious speeds.
Catatonic struggle.
The lisp of an old hippie, tracing his tracks in a wheel-legged fashion, up and down the streets of Seattle, looking for the kicks that previous nights were unable to provide. Supply and demand for bottom up approaches.
Roaches scattered in the living room. Some dead, some still glowing in the dimness. Empty cans of Campbell lint excessive consumption. The prevalent motif of the middle class. Stars and stripes hung in the window pain, above the static placidity.
Seattle stars
No such thing
I guess it must be raining there forever.
Set sail on the winds and whims of vindication
A clockwork orange of human nature
Algorithmic math may apply
Born from anger and rage
Vindicated by revenge
Burn and burn again.
Burn until there is nothing left but a speck of off-white wax in the night
The flailing sails of a million ships, trudging into discovery or conquest, wheels screaming in the snow and gravel. Barrels pirouetting, until you hear the mechanism move into place with a thick onomatopoeia of some kind. Millimeters-I-don't-know-how-many cartridge locks. Vicious speeds only centimeters over the palm trees. Wings clipping occasional leaves, like the man with the scythe himself. Sick harvest moon, ready for the daily sacrifice. The daily ritual. No prisoners, no mercy. No withered old men to push their crescent steel triggers.
Anarchy & Chaos
At the pyramids of Kæops
Pandemonium spreads
From the base of the cranium
Bad craziness
Piston engine pistol shot
Duality parallelogram agency

Ink spill
Brain spill

For as far as I know
It could all be on the page

For as far as you know
It could be forever lost...

After all
What is the point?


Organic mammal, Cro-Magnon
Formally leapt up
On two feet
Hello, digital nowhere-man.

Keeps me hydrated
In some strange way
Ink oil drum
Devastating spill
Killing every single thing
On the surface.
But you know what they say
About the iceberg...

...

What Hemingway said anyway.

Revenge
Revenge
Revenge

Heinous
Horrific
VENGEANCE

Let­
The
Anchorage
Keel over
And
Die

YOU ARE CARCASSES
decomposing.
Self consumption & suspension
dance Tango.

Glee & bliss
perform synchronized ballet.

Ignorance & fragmentation
slouch through a Foxtrot.

Trust & disgust
mirror in pantomime.

Words & action
engage in seizure-like Jazz.

Amusement & confusion
amass in couple's Swing

Pride & pity
pound in Pogo

Compulsion & obligation
grind in obscene burlesque.

Desire gives Prudence a lap dance.

*Their red eyes meet, but never reach.
Their shaking hands and feet reach, but never touch.
What if the war machine
was a tarnished memory
and the void between
the pillars
Why there is not contentment for the content
but and endless series
of Roman pillars inside celibate convents.
The pillars of the Panthéon are bars in a demented prison
fermented with the stench of a rancid batch
of torrid dreams.

A palace of pain an pleasure,
a hotbox of sin for the devil's leisure.
Leapt to every level of Dante's hell
and up again

No knowledge have I aquired,
but confusion, a quiet
illusion, and I am tired,
oh, so witheringly
tired.

"We are drawn to the concept of escape"
Nietzsche said.
Specks of electroluminescent sand leave third degree burns on the abysmal beach.
Driftwood, like messages in bottles, rolls up on the banks.
From Washington? From San Juan? From the British Columbia mainland? Or have they all drifted in from the riot of the Pacific theater? They roll up without complaint of the commotion they no doubt suffered on their journey from wherever, to in front of our feet.
Deteriorated, rotten and rancid
But unbreakable nonetheless.
We have no choice but to build something, because the advocated creative coincidence that just occurred leaves no room for complacency.
It's cold, but we all have homes,
It's wet, but we all have clothes.
The Scouts that we are
Our eyes roll back in unison, as the waves of Cadboro Bay crash, and the wind breezes through the cracks of our collective pride.
Down the hall, through the living room
and living daylights.
Through corner shops, spoon-eateries,
between rows of seats in adult theaters,
Beneath Roman spears
of crystal ice
ignoring the warning.

Same old, same old wicked agonizing cold. I freeze solid
and I escape once more.

Through Subways, through hotel lobbies.
Between invidious eyes, above the malady.
Down streets, down stairs, getting stuck, falling asleep, getting chased.

I refuse to affirm my negation with pity,
but rather with revolt and insurrection
I build this fortress not with iron and bricks, but with dust
and guilt

And off I go again...
An airport chapel is tonight's citadel.
From a hidden corner
a raspy cough emits from a familiar throat.
I sit down.
I sit like Plato's prisoner in my cave,
eyes fixed forward
on the wooden cross.

The familiar figure rises.
He walks through my vision,
but I refuse to see anything
but his silhouette

And off I go again...
I long, like you long for a place to rest my head
You long, like I long for a warm silky bed
I long, like you long for the lights to finally dim
And you know, like I know I do not want to float
I would rather swim

And I know, like you know
I long, like you long

I am tired, like you are tired of the anomie
And I am scared, like you're scared
Of disenfranchise and insanity
I drown, like you drown in a hidden river in the woods
And I frown, like you frown
At how our methods have failed us

I wait, like you wait
And I hate, like you hate
And I regret, like you regret

Like a wildfire in dry hills
Like an animal scratching its cage
Like an exploding light bulb
I run, like you run.
For when you can't write
For when you can't sleep
For when you don't eat
For when you don't
Drink
Smoke
Read
Work
For when you have no idea
What keeps you going
You are running on the fumes
Of your Dreams
He's a rat in a cage
Strolling down his lonesome trails
around the grounds.
His knees are shaky and he's working minimum wage.
He tries to unlock the door to the gymnasium,
but his fragile hands can't still the keys.
Every day he rode his bike to work
And his grey appearance would turn sour in the cold morning wind.

Every day at 9 am, he would take a deep breath, and upon exhaling, he would raise the flag on the grounds square.
It was a ragged, pale old flag stained with the tears of time and his years at the gates.

He would sit in the afternoon sun, after the sound of the bells and all the kids were gone. In his dark blue jumpsuit, unable to remember how he felt before. When he was the one on the grounds, climbing the pine trees.
A pound of meat and a speck of desire
A curve bent out of shape and form
Impossible not to admire
Hearts are cheap, but they feel the same
Five bucks a hit, it's a thriving art
And a bitter shame
Lovely face, facetious love
It's too easy to slip
Like hand in glove
Alluring masks of self-persuasion
A Tragic Comedy
Symbiotic Occasion
Contagion of self
We (I) spread the disease
Hallucination True Romance
Semantics perverted
A pagan dance
All tools are ******* symbols in the eyes of the disillusioned.
The mountains are phalli, the valleys and coves, vulvae.
Cross country crotch rocket, crevasse stretching, rough landscape.
All interconnected, like the bluffs on the beaches, with holes right through.

Ismism
Feminism?
Masculinism?
*Equalism!
The Prophet stretches in wrenching pain
across the continent.
We travel south across His chest
where Roman spearheads
have cut into the landscape.
Scratches in somewhat healed asphalt
and burnt forests in a pathetic wasteland of violence
and decay.
East and west, trailing hundreds of strained veins
toward nails like pins on a map.
Seek out the latitude on
elliptical scopes
in honor of something.
The Slave
and
The Savior
I am the lone insurgent
Walking through the streets
of my own mind.
My mind
Is a totalitarian state.

I am the lone assassin
Of the members of parliament,
Remember, in my own mind.

I am ratted out
By the shrill shrieks
Of an old lady on the tram.

I walk home from endless meetings
With myself, where him
And me plot our rebellion
Sparking the ember, remember;
In my own mind.

The Secret Police awaits
Probably in my living room
Waiting for me to turn on the lights
Revealing the glint of silver nozzles
Mere millimeters from my my head.

The warrant proclaims:
"Conspiracy and ******"
I may be lone, but my hand
Wields just vindication.

I may be lone,
But as I am executed
There is still me
And another will always
Follow

Striking the ember, remember;
In my own mind.
Still on the air, racing through hyperspace. Racing toward the ultimate, dashing for the übermensch within, the perfect human being, outliving the greasy machinery of our collective existential crises. Trudging down the proverbial road in swinish runs
back                                                          and                                                          forth
Collecting the critical fragments of out minds from the bowels of life's desert, only to find that they have gotten perverted with the rank rot of maggots, festering, crawling through the remains that were left from our conception and subsequent birth, poorly mummified.
But alas, too many millenniums have past.
Too many millenniums.
Too many.

As we search between the cacti, avoiding the venomous bite of the rattlesnake, battling the heat, our wristlet watches tick.
Tick, tick, tick away with the unfair certainty that the watch will keep ticking through the arbitration of time.
Through the arbitration of the flexible human condition, surrounded by the deafening stasis of the world.
The deafening tick, mocking our decay, celebrating its own infinity.
'                                                                
                                                                 We are the riders of high waves
                                                           ­               in the screaming storm.
                                                          ­                            Traveling
back                                                            ­                       and                                                              ­           forth
back                                                       ­                            and                                                              ­           forth
back                                                       ­                            and                                                              ­           forth
                                                           ­             until time suspends itself
                                                          ­                       and we lose grip.
Apollo illuminates Dionysus with a cutting laser edge carving meringue mosaics
into the nebulae.  
I'm enslaved by the concept of the interstellar
on the edge of the bed, my feet tapping into nothing as willful seizures
bring ****** sensations to my center, now nothing but a distorted face endowed by contrast
of shadow on black and white 35 mm film.
What a wonderful, heinous thrill it is to be so utterly and completely lost in the transcendence from the heart of darkness to the glow of a thousand suns, humming the beat of a million drums, attempting to attain some kind of summary, even though you know all too well where the stellar direction of man's folly has lead to before.
Wicked...yes.
Someone, somewhere
Anyone, anywhere
No one, Nowhere.

I run around in circles
like a stray dog.
Kicking a ball down Cedar Hill road.
Sunrise
A car slides through the thick forest maze
Black arches in the distance

A smile
bent on self annihilation
behind the wheel
The engine somehow trudging
into Malevolent Oblivion
Perpetual light from six magnificent suns
Orbiting in choreographed chariots across the sky
Stars were unheard of; a mere myth of cultist conception
The million mile glint was nothing but a two thousand year-old legend
Human minds, not accustomed to darkness,
Found the walls closing in on them.

As the last rays of sun were eclipsed
A crimson and black border closed in
The last laser ray was snuffed
By the turmoil of darkness
A slate freckled by heavenly deities
Covered the sky.

Mankind went mad at the incredible gaze
and civilization as they knew it crumbled.
*Derived from Isaac Asimov's short story "Nightfall" (1941)*
A strict director yells at his actors
and ask them to trust his creative decisions
because he thought of them
while he was high.
Trust me, Peter!
It's funny
Ten Koruna rooms,
****** doused in red light. Purple, then blue.
Sickness and health dancing
In the street to the thumping bebop of the night
Veins and heads filled to the brink with:
Crank,
smack,
****,
goofballs,
Neon lights.
The bad ***** is optional.
The city twists and bends in the chrysalis night, uncoiling.
Azure skies of deep summer, polluted
Only by the glare of candles
In living souls on slow pavement.
They burn, burn, burn, bury their heads
In thrills and friends.
They burn until there is nothing left,
But a white speck of off white wax sizzling
Away in the darkness.
Ode to the wonders of Prague, Czech Rep.
What do you make of this?
I ask my cup of morning oil
Loyally sitting in front of me
the oil of versatility.
The oil that pushes me
with the ferocity
of a combat rooster
I sit in silence and contemplation
as my feet begin to itch. I must go. I must find time, of which I have little. I must discover the spaces between spaces to act out this sickness of desperation. I turn to my oil deity. As I run and stumble and fall in search of my cure, she sits there on the table every day, waiting for me to come home, knowing that I am just as sick as when I left and as the day before.
My love and damnation
She makes me endure.
Ample armpit hair whipping in the wind.

We were forced to deify ourselves vicariously through stems of trees, millions of years old, hugging the moss.
Sick of piles of coins in innumerable quantities.
Sick of contrived smiles
Sick of listening to convoluted phrases shrouded in rhetoric from quivering lips, drooling with neediness and existential despair.
Sick of you.
Sick to our very core

The torch burns.
The chorus churns:
Awakening, awakening, awakening.
Embrace, embrace, embrace the embryonic ember.*
No neon lights, no abstractions, no overarching laws.
We are the Pagan Icons
And we do
what we must.
Grind & Pivet
Leveled out playgrounds buried in the valley
Foaming mutts pursue for as many yards as their yard allows
Old campers, corrugated fibre-glass plates and upside down canoes
Piles of plywood piled in meticulous patterns
St. Aidan's Church
A beat up old Buick
Nostalgialand
The Palo Alta Vista stretches and yawns in the morning
The crack of joints
Black arches over the horizon, cumulus towering
The sun, ready to ****
Anoyone not ready
For rebirth
Caravans carefully cross empty mesquite desert
between howls from creatures too small to produce them.
There is a slight bump and the convoy tips.
Tips, tips, tips, like snapping fingers, tipping over cauldrons filled with molten magma. They laugh a maniacal laughter as they slip through millenniums of sand, counter intuitively freezing.
Long gone Pharaohs, oil drums and abandoned spare tires.
Once was lost, but now I've found.
Convinced rationality keeps us secure
What we fail to realize
Is that not only is rationality subjective
But so is security.
Short political anecdote, based on international intersubjectivity and the concept of the state as a rational actor to prevent conflict.
Sister Rosetta Tharpe licks her wounds and oils her cords, a casual observation to start things off, to jump-start the mind with the cables that undoubtedly fuelled Ms. Tharpe's canon, or cannon if that works in context. Just something, anything, to jolt the good old stream-of-consciousness into action, for my mind to finally get the guts to 'inspect' that "empty" rathole where the guns of the 'enemy' are waiting in vain, my mind thinking (by itself) that if I wait long enough I can starve them out. But my mental adversaries are cunning and adept, able to go without food for days, weeks, months, eating moths, worms, rats, and slitting the snakes open to drain their juices. The snakes, the snakes, the snakes, my ultimate fear; the snake around my neck. Hung on the scaffold, standing ovation. Maybe I can burn them out..?

There we go, I writhed you loose, you ******.

I click a four-count in my silent mind, and I crawl in, like the good soldier I am, thinking all the time that I should have read Manual of the Warrior of Light by Paulo Coelho; without a doubt, judging by the title alone, it would have done me good. The last click of the four-count is the cocking of the hammer on my tool, be it a torch or a pistol; proxy war gunslinger, existential riot. Nothing to lose, and nothing to gain, ******* long nights in the hole, nothing to hope for once I escape, but another batch of darkness, and another painted face, asking "Are you okay?" ME answering in my male hangup "Why wouldn't I be?"

Now onto the metafiction cliché:
You can always escape, but you can never hide, like the cheddar cheese villain in just about every movie known. And never were it more true. Contemptuous nature can lie benign in the brain, prostate, or breast for a long time before it becomes malignant; and escape is always an option to prolong the inevitable. But I come from a people of brooders, an own ethnicity in its entirety devoted to judgement and yuppieism. There we go; another red-dot-underline to signify the royal introduction of another previously foreign '-ism.' Standing on the conveyor belt, side by side in a circle **** of prejudicial rhetoric: "Everyone are so unpleasant and gross," comic-book thought-bubbles in every direction, through every head, like malicious rays from the omnipotent sun of groundless hatred.

No sun for the land of the brooders.
No real sun.
But it will still fry your skin.
4th degree burns.

Return of a friend;
Return of a fiend.
Might be both, and it might be neither, but it doesn't matter, as all eyes are fixed on their feet, and the few inches of pavement in front to avoid any collision.
Classes clash and collapse in collective implosion

The lower estates plant their insignia
ostentatiously on heaps of men
after storming the Bastille
to make way for the malady of the mitrailleuse
and celebration of Entente supremacy.

Clemenceau rise in rank as the
bodies of Flers-Courcelette stank.
Villains of the Devil's backwash
Slap you lightly on the hand
before commanding your neck
to the narrow stand
of the Guillotine.

Blood alone drives
the infinite rolling barrage of atrocious folly.

Liberté, égalité, fraternité

**Keep calm
and
carry
on
Saccharine kisses
The sweetest I had
Didn't even happen.
Something happened
You don't know what

The Great Whine
The silence screams on Market Street
Between the sleepers, where the peddlers meet
Rock'n'roll stance break the fall
Head leaning sideways against the retaining wall
Stardust/Smog
Who could tell?

The slight thump of the body against the B.A.R.T. station floor
A voice choked with tears, kneeling, crying "what's going on?"
Bitten lips, tainted crimson red.
He crumples his jacket to support her head,
And prays.

Crackling coke can, consumed by the Castro
The great pacific tempest roars. The Asphalt Maestro.
San Francisco Bay Bar Blues
What bricks collect in the murderous sun;
Dignity
Fear
A pattern obscured by a shadow cast
Nowhere to hide
In your animal hide
Exposed in full on the 24 carat divide
Of the Golden City.

From a cat's meow to a lion's roar
From a pistol shot to a world war
I want something to drown out the thoughts in my head
But I don't want to go back to bed

I'm falling out for hours at a time.
When will the sun shine?

And my thoughts drown in noise
but I still miss your voice.
Silence...







Silence...






There are no explosions in space.
There is only expenditure.
The lunar eye looks straight at her
From which level of Dante's of hell does this allegorical figure ascend?
She sings perfectly. Not a chord off scale, not a single octave too high or too low, minors, majors, sevens and suses, yet the distance between performance and performer grows like canyons in continental plates. How does she sing so beautifully? But yet, something is missing. A sorrow, a fury, a hate that burns for miles, and a love that wants nothing in return; eyes that properly protrudes the profound passion of human horror.

So she throws herself savagely at the world, to seek out life's horrors in the hollow souls of every unholy ghost in purified form, profound suffering and endless sickness. Birth, death, disease, loss, love and life itself, knowing that everything else is expendable, because what does not make us itch beneath our feet or stir turmoil in our minds is of no relevance.
The Duende will find his way inside her marrows. He will fester on her cords and well up her eyes with ecstatic enlightened tears of exploding color, because life came caterwauling, yet here she stands.

She breaks into song once more
The Devil burns inside her now.
And the well of her wisdom boils with the Sound and Fury of Humanity.
Gotta get away, from depression and decay
Too stubborn to admit that I've been led astray.

A world behind windows and white picket fences,
swimming in the drool of suburban pretenses.

Get a job
Get a life
Cut your hair
Hit your wife
Get a car
Get a gun
We'll go out and have some fun.
I chew my way through nickles I earn from angry tourists ambivalently tossing percentages into a jar. I've learned that some of the toughest people come from the proletariat. I fear the people that have worked at McDonalds for 20 years. I kneel before the Knights of Mediocrity.

I check my mail and I come back with a fist full of loonies and quarters. Payday. My great big nose reflects back in the copper before I put the coins into my mouth-recepticle. It is barely bearable. It tastes like blood, but is it from the metal or is it the coin cutting my gums? With the sheer yield of my fields was I able to get it down. I wash it down with some OJ.

Of the queerest men and women I have met, most of them were from the same world as I came from (and to which I will inevitably return). The world of the workforce. I am merely ailed by itchy feet and a severe fear of placidity. I work hard. But only if my work is paid in mileage. If every penny spent is a road to anywhere but here.  

A former colleague of mine developed prominent ****** ticks from working as a cashier at a market. The world falls harder on the content, because their yields shield most of the fall. People die both in front of  desks and between steel beams.

Two men sit in silence, playing chess. Suddenly, an argument arises and both parties toss theories of chivalry between one another before one of the men yell,
     "I don't think it's quite that black and white!"
Strange strings of thought.
Thoughts of loyalty and love,
thoughts of friendship and of ambition
and my condition;
thoughts of submission of subtraction and addition.

Unravel the secret of the continent,
oh how you are persistent.
The road uncoils and I uncoil down the pavement.
Off i go.
Twisted days of golden glow.
Off I go, into the black hole
of the road.
Hello,
my name is so and so
Have you heard of such and such?
"No, not very much."
Well let me tell you...

The sledgehammer
catalyze the caterwaul of lies
Unhinge your mind,
grease it
and rehinge it,
Because; everything is out of balance
A pendulum disturbed by the devil's malice
while he dances
through our glances and drops the knowledge
of how the money you pledged is wedged
in between stacks of paper and salary checks
The blues in the night-light dance with the stamina
of broken dreams. Well, let me tell you of the suffrage
and my lack of knowledge or power–or both–to discern or summon
a strategy for navigating this slanting ship
capsizing with the weight of the world
in the Suez Canal.

The doctrine of a dead man's cackle
enforce the shackle
of the child's ankle
The unswerwing arrow of my intent,
Pegonia arrowhead
plunge into a heart of lead
to find the hidden treasure
x-marks-the-spot
of another bitter man

"For every pledge donor you get
5 children died
in Tibet."

And so will they continue to
What can I do?
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