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Paul Glottaman Jan 2020
I find it hard to say,
I say it's hard to find.
I'm over a bail of hay,
and broken of spirit and mind.

I'm lost in the woods in the dark.
I'm running out of time.
I struggle against pitch black and bark.
I want to be happy, but worry it's a crime.

And can we be real for a second?
'Cause every new day is a ******* chore,
and I am always tired and terrified
teetering on the precipice of a steep decline
in mental health or personal wealth
out of luck. Out of time.
There is no ******* context.
Only words.
Words that always have to rhyme.

Let's pretend we're happy. Let's dance.
You and I will keep perfect step, we two.
We can set the world alight given the chance.
Become us and not just me and not just you.

I need you to tell me that I'm not alone,
that others feel this from time to time.
I'm feet of clay and heart of stone.
I'm useless ******* meter and ******* rhyme.

I love you. I really do.
I need you.
Believe me when I write.
I wish it was easy to say. I wish I was better.
More.
I'm buried in style but wish the substance was there.
On better display.
I am a museum of hidden exhibits.
Tradition in the place of honesty.

I love you.
I really do.
I hope you love me, too.
But I honestly haven't got a clue.
Paul Glottaman Dec 2019
Storybook ******* finds
a hero riding in on horseback
with grave purpose and noble intent.
Saving the day, or the damsel.
Kissing the problems awake,
rending the wolf's innards to find her.
Building the machine or spell that somehow fixes things.
Hard and dark, like burned wood,
are his eyes.
Broad and strong are his shoulders.
Trite and compromised are his deeds.
And so, in fiction we are saved.
In fiction we somehow still need saving.
Karma is a lie, kismit doubly so.
If there exists a path through the dark it is only because other damaged and broken people trod it there.
We don't have noble intent, we don't have hard eyes, but we occasionally accidentally build the mechanism that fixes things.
Not in whole.
Not completely.
And not even well.
Almost never is it perfect, occasionally it is better. But it is change, nonetheless.
It is change!
It is a start.
It is grave purpose.
Storybook ******* be ******.
Paul Glottaman Dec 2019
Behold a generation of wasted potential.
Earnest effort discarded
the waiting pit held out as sacred,
reverential.
Call it nihilism or laziness,
call it in condescending tones
the failures and flaws,
gaps and cracks,
that will always best us
and hold us back.
Nevermind that the hills are higher,
disregard that the times more complex.
We are, as you say, wasted youth on young flesh.
One more unwilling sacrifice before the alter, burning at the pyre.
We are thirty something, educated
or dropouts, breathing pollution
and struggling with impulse control.
We aren't more, we aren't less.
We are here to be emancipated,
relegated, blamed and hated.
We're still here, that's something, I guess.
Behold a generation of wasted potential.
Earnest effort discarded
the waiting pit held as sacred,
reverential.
And we're here now, ******* it!
Struggling beside you, fixing the world from the trenches.
Our hands are ***** from work,
our hopes forgotten,
We turn the gears with crescent wrenches,
fight the fear with sarcasm and
inclusion.
We know a debts coming due soon.
So do you.
Behold a generation of wasted potential.
Be in awe of their effort.
And maybe they aren't doing their best, but at least they continue to search for ways to make it better.
Paul Glottaman Nov 2019
Waves crashed onto the shoreline
on the day I was born.
In future: Gone will be I
and the shoreline
and the day I was born.
But the Ocean will keep.
Paul Glottaman Nov 2019
Liars sit on gilded thrones barking orders into intangible every-*******-where and we plug our ears and we hum our throats hoarse but we still hear it.
We still hear it.
We hear everything.
You ran away and for office and I know what it meant and where it ends but I don't recall the lines of revolt forming like ants in formation against you. Neither do you, you *******. Doesn't matter. Never did.
We know everything.
I know late night talk radio vocabulary and I weild it like armor to protect me from the ******* conspiracy and the wild denials of things we've always known and I'm left cold and run-on.
I saw everything.
Inside the backrooms where the ******* deals get made there are secrets passed like currency and this gets exchanged for that and we're all smaller and less and our souls are laid bare before hungry jowls and damp fingers.
Everything is negotiable.
You want to stand, sycophantic, before me and prattle on about values? You value nothing. This is nothing. You cut up and sell the American dream to the highest bidder and sleep sound as houses while we burn with impotent rage and the gnawing feeling failure provides to giving up.
Everything is for sale.
And maybe, just maybe, we deserve you.
Paul Glottaman Nov 2019
Remember turning and churning and roiling like water the night before.
Recall the moist palmed, thick tongued, planned conversations in mirrors.
My god, the hair cuts, the clothes, the damnably dramatic second guessing.
"Just the right moment." As if such a thing existed.

I remember sitting on the table in your work area, because I wanted you to see me breaking school rules and thinking I was so ******* cool.
I would tell you jokes until the wrinkles on your nose scrunched up and your eyes glimmered.
Jokes, but not ***** jokes. I wanted you to think I was pure.
So ******* pure.
Truth is I was just ready for you. Thought I was.
Did you know I waited by the baseball diamond for you to run by? I did. Did I ever.
I didn't have club but I was always at school late, hoping you'd talk to me. Knowing if I could make you laugh the right amount of times in the right kind of way...maybe, just maybe, then you would love me.

I could see it. Crowded school hallways would part like seas before us and we would move to one another as magnets do. Drawn. And finally in the middle, met and smiling, we would kiss like consumation. The applause would fall and the strings would swell and the percussion would announce the emotive lyrics sung by the pop musician with the widest range available for the budget we have.
Silly boy.
Silly.
I loved you like reckless, feckless children do. With all the passion and none of the wit.
But wait! There's just this last bit:
I love you now. With ALL the passion and what wits I can muster.
Decades later and the smell of you on the pillow or the smile your genes have given our son and I'm that silly young man again. Weak in the knees and hoping...maybe, just maybe, then you would love me.
Paul Glottaman Nov 2019
I can feel his words
carve themselves into my skin.
Twisting in me always,
over and over
and one final time, again.

So tell me, baby, what're
we headed for?
You and me
and silence
and the old crimson door.

Several cycles of sun
and then moon,
twenty. Thirty-four.
I had fresh knees,
a strong breeze,
a straight back and more.
I had miles and miles of history,
headfuls of lore.

That was years ago, now.
More ghosts than memory
and sanity
will allow.
And even without
I'm still haunted,
by specters of fear and
shadows of doubt.

Right ******* now, I've got a fever boiling away at one 'o four.
I got salt and moisture bleeding from, it feels like, every last pore,
but I can't sweat you out
Not anymore.

Real talk:
I can't leave you behind me.
And I've tried.
I've burned the heart outta myself,
Buried me alive.
But this heartbeat, this cold sweat,
sweet memories and alchemies
All of these...
They survive.
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