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I think that I shall never see
A thing as odd as eight baby
Eight baby from a single mother
Makes me roll my eyes- oh brother
Oh sister oh brother oh sister oh yeah
Mother looked like a Guernsey cow
Is there milk enough- I don't see how?

Eight colic'd infants wailing in the night-
Draw back, draw back- go fly a kite
Eight fitful babies screaming in duress-
Moved far away left no forwarding address
Eight poopy babies dragging two pound diapers
Went to the car wash and used the windshield wipers
Eight teething babies wrangling on the bed-
Picked up a gun and blew off her head.
The infamous Octo-Mom; which reminds me of a James Bond movie with a similar title- but let's not go there, shall we? lol
When you first wake up after sleeping
If you will hold very still,
You will realize that you are holding in your mouth
An exquisite glass form of a dream
Which you have been blowing all night,
With every exhalation forced out

And it is like nobody else's
And has never before been seen;
For each of us is like a kaleidoscope
And we include different layers in our glass,
Taking it all from within ourselves;
The exact parts needed for the form we are making,

Taking the pieces from other dimensions;
Things which might seem untrue in this one,
But are real as we can make them
When our dreaming eyes and fingers
Lift them from our waiting wholeness,
In the night time of our stillness

When we finally become one patent vehicle,
And the dream begins to grow then, like the smallest bubble;
A stained glass fetus of our blooming individuality
Made only for, only by us;
As fragile as any snowflake,
As ephemeral as any memory.
To another shirking duty do I die
Swarmed by specious crowding thoughts that sped  
We wed in black, so dreaded black to tie  
The altars bones of white that lined our bed  
And followed constellations in our heads.  

My addled weight of whetstone you've become  
With tons of stones in wooden bladed sling  
Past summers clouded face hung heaven's sun  
On bark you tried to dry the deadest things  
And on my strumming soul threadbare you'd sing.  

The nightmares ran past colored vats of dye  
As shifting shapes geometrized the rune  
What dyed the pigment in your furthest eye  
Was joined with the paler canvas tones
And cracked the varnished face our pebbled moon.
Looking into the large bathroom mirror
Before the bath
I catch a glimpse, a flash of something
A darkened area of discoloration
Almost as if some future dead thing now inhabits me:
A too old cut of meat turned a familiar greenish hue
Dead corpse waiting to sprout
A glaze eyed figure in the haunted house.
The spot may reveal itself on the face,
Or along a shoulder or arm. Just for a second.
Looking again, it was only my imagination.
The infamous man who dug up graves
To take parts of the bodies, spoke of a woman's body,
That it flushed red where he began to take off
A part of it, by cutting it.
Even that dead for a week body knew
Something violent was being done to it
And stories abound of the still-growing hair, fingernails..
Not just haunted tales to scare children
It seems a little bit of death resides in the living
And a touch of aliveness remains even in death:
The boundaries of when we are transformed
Into house of wax characters
Are never as clear as medical textbooks imply.
The lines about the dead body flushing and the man who dug up graves is about Ed Gein (August 27, 1906 – July 26, 1984) an American murderer and grave robber.
What must inspire the vagaries of the wind;
Such a variable vocal cord must it wear-
To mimic the voices of so many beings,
And still beneath doors, around corners it bends:
But seems less like a fast flowing column of air,
So that each second, we expect to be seeing
The creature that to anguish it’s voice has lent.
As if the hearts grief has been at once laid bare,
And all the pent- up melancholy given wing.
Ceaseless lamentations rise up and are sent
To the same lone spot where flings curse or prayer.
After hours spent howling, it may begin to sing-
Who can say sorry when at last it has went.
Peace reigns when it abides in its lair.
A stirred- up breeze few good things brings-
And what makes moan when there is no pain?
The cruciferous prophet sticks in my teeth-
I think I'd rather have a tidbit, of thief;
All covered, of course, in a vinegar sauce
With just a light dusting, of the true cross.

Some rarefied spleen, set sideboard,
With red vintage wine; A.D. thirty-four
Frankincense and Myrrh, baked in aspic;
And saved for last, Shroud Flambe: digestif.
Do you ever like to play the 'what's the perfect meal for..' someone famous in history/literature? It's such a hoot, lol.
They said he was known, to talk to his axe
As if it were the best comrade of his,
Amid the rumors about, he had a rich father
Must have fueled his rancor; the life he had missed.

So local horse slaughterer, became his career,
Ready day and night, with axe in his bag;
Sick and old cows, horses and mules,
Made short work with his axe, of the ailing Nag.

It was his work and he was quite good,
Most skillful with axe; and strong and fast.
With his constant friend, in it's home, the bag,
There's many an animal, breathed it's last.

His work left a smell, upon his person;
Some sick horses had the smell within,
And a small girl at play outside, could not miss
The man going by, with strange smell on him.

Under the radar, he plied his trade,
Coming and going, near invisibly;
Never suspected, if he was the one
Gave fatal blows their timely delivery.

Like a bad choice come back, from the past
To haunt the rich miser, in his worldly domain
Of such stern stuff, there's no doubt he'd refuse
To his fatal undoing, and terminal pain.
I read a book years ago, about an alternate theory of who murdered the Bordens of Fall River, Massachusetts in 1892. This many years later it seems impossible to prove anything as there is no longer the evidence available to investigate claims, with but the book intrigued so I wrote this poem.
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