Havisham’s hands are ******
with the half-squeezed heart
blackened by falsity,
like thick red paint,
her crackling fingertips
keep moulding something invincible;
the permanence of lying.
Altars still stand
after the apocalypse,
registry books torn
to become cigarette papers;
the ash of everything
and a child,
painting the phoenix
onto the acid soil,
until the core coils into chainmail.
The echoes of the innocent
make pews into death row,
where the absence of a void
ruminates, glitching, triumphant;
wedding dresses at funerals
brush away the humid dew
of unmown grass,
as the softness of forgetfulness
crowns each grave eternal.
Havisham’s hands are made of soot,
the woman as the pyre,
long-since engulfed
in bitterness;
one lie creating a fragile universe.
Greek chorus repeating
minor rites
until the dead phoenix
dies again,
and only the smoke
of lie-infested letters
rises.
Aug 4, 2020
Aug 4, 2020 at 7:55 AM UTC
Havisham’s hands are ******
with the half-squeezed heart
blackened by falsity,
like thick red paint,
her crackling fingertips
keep moulding something invincible;
the permanence of lying.
Altars still stand
after the apocalypse,
registry books torn
to become cigarette papers;
the ash of everything
and a child,
painting the phoenix
onto the acid soil,
until the core coils into chainmail.
The echoes of the innocent
make pews into death row,
where the absence of a void
ruminates, glitching, triumphant;
wedding dresses at funerals
brush away the humid dew
of unmown grass,
as the softness of forgetfulness
crowns each grave eternal.
Havisham’s hands are made of soot,
the woman as the pyre,
long-since engulfed
in bitterness;
one lie creating a fragile universe.
Greek chorus repeating
minor rites
until the dead phoenix
dies again,
and only the smoke
of lie-infested letters
rises.
Something I wrote for a creative writing portfolio in first year of university.
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