#havisham
Havisham’s hands are ******
with the half-squeezed heart
blackened by falsity,
like thick red paint,
her crackling fingertips
keep moulding something invincible;
the permanence of lying.
Altars still stand
after the apocalypse,
registry books torn
to become cigarette papers;
the ash of everything
and a child,
painting the phoenix
onto the acid soil,
until the core coils into chainmail.
The echoes of the innocent
make pews into death row,
where the absence of a void
ruminates, glitching, triumphant;
wedding dresses at funerals
brush away the humid dew
of unmown grass,
as the softness of forgetfulness
crowns each grave eternal.
Havisham’s hands are made of soot,
the woman as the pyre,
long-since engulfed
in bitterness;
one lie creating a fragile universe.
Greek chorus repeating
minor rites
until the dead phoenix
dies again,
and only the smoke
of lie-infested letters
rises.
Aug 4, 2020
Aug 4, 2020 at 7:55 AM UTC
abandoned at the alter--
or just abandoned.
I have nothing to hold on to
except the tatters
of this deceased
laced satin, this crumpled
veil, covering hope and covering light.
one shoe, its matching partner had scuffs to
begin with--what a fraud.
white is supposed to be the color of new beginnings
and black is for funerals--
but I guess white is the new black,
I'm left to fend by myself, nothing
to celebrate--
the cake was too pretty to be eaten
anyway.
and don't you know it,
we're all in our wedding dresses,
looking abstractly at broken watches,
dust-filled corners,
waiting for the groom
that will never
come.
Nov 12, 2014
Nov 12, 2014 at 7:20 PM UTC