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ORLA Jan 2013
If I were ever so fortunate as to acquire a magic lamp
And have it be the kind that holds a genie trapped inside,
I swear upon the grave to which the loss of you will drive me,
That all three wishes offered me would only be for you.
ORLA Oct 2012
Mounds of sheets and piles of pillows
(It's slightly hot in here!)
Sitting up, I brush my head against
The drooping blanket roof;
Silver light and sounds of rain and wind
Add to the cozy cheer
Of curling in a blanket fort, completely
Weatherproof.
Our classes have been cancelled, we're
Advised to stay inside:
We'll don our robes and steep our tea
Against the stormy cold,
And take advantage of this unexpected
Break to go and hide
In blanket forts and make believe
That we are five years old.
ORLA Oct 2012
I can't breathe properly.
There's something stuck inside me,
Where my heart should be.
I think it might be you.

I couldn't eat today,
And I went on three walks,
And danced the whole time.
I think I've got it bad.

You distract me like a love song
Playing in one earbud
Through every conversation,
All day long.

So pardon me if I start smiling
For no apparent reason,
And don't ask me what I'm thinking
Because I won't tell you.

The corners of my eyes
Seem to think everyone is you,
And your face is etched
Into the insides of my eyelids.

On that note, I'm sorry
For the constant ringing in your ears,
But I can't seem to stop
Thinking about you.
ORLA Nov 2012
i always go to the bridge.
always the bridge.
                                                 i'm not sure why.
but every
               single
                      time
i find my feet inevitably leading me
out the door,
         across campus,
                   through the woods,
                                                          ­            and to the bridge.
i can only pray that
on the day it all falls to pieces
my feet won't lead me
                             off it . . .
ORLA Oct 2012
alone, and cold, and wanting
nothing more than to wrap my arms around you
and feel your little body against mine
open and trusting, soft and hot
with your loud rasping breathing in my ear
moving the hair on my neck
and your chubby arms squeezing my shoulders
as your tiny clammy hands play with the back of my shirt
and you listen impassively
and think about birds, or lunch, or that you need to go *****
while I tell you in the softest tones I can
that everything will be alright
and that I love you very much
and that I cried when I wrote this.
To my beautiful little R.R. and T.P.
ORLA Dec 2012
I wrote you love letters out of the syrupy innocence of my childish heart,
Mawkish hopes for a future of sweaty handholding and feather-lipped kisses.
More mother than lover, I lived to shield you from the bigger laughing kids,
Because I thought that love was one short ride on the pegs of your homemade bike,
And one dance under purple glowsticks hanging from the cheap drop ceiling,
And, in the stairwell that smelled like paint and old socks, I told you so.
Turned out I wasted my one second wish on the bunny in the moon:
You woke me up with the hollow chill of sudden mere acquaintanceship,
And now you're chasing some blond girl while I'm standing in a corner, busy growing up.
To somebody that I used to know . . .
ORLA Nov 2012
Square your shoulders in the cold
Blow steam like fire from your lips;
You're still alive, you're going strong -
So strut a little, swing your hips!

So what the world is ******* to hell?
So Armageddon's started?
You're gonna let that hold you down
And leave you brokenhearted?

You feel the steel inside your chest?
You build that, fan it into flame,
And vow that when the enemy arrives
They'll know your name.
to America
ORLA Mar 2013
Dear sir,

Please find enclosed one heart,
as per ordered one week ago.
If damaged on arrival, please
Feel free to send it back to us
For a replacement, free of charge.
But if the packaging is torn,
We will assume you broke it,
And we will not reimburse you.

Sincerely,
God & Co.
ORLA Dec 2012
The father stares, bloodshot, egg-yolk eyes glistening
As he waits for his baby woman daughter to quiver
And melt into the **** of the bedroom carpet
Under the heat of his betrayed and angry gaze.
And he waits.
And he waits.
ORLA Oct 2012
I'm jumpy, sick. It's one in the morning:
two cups of coffee and your eyes
are keeping me awake.

You were watching me and
I was watching you tonight,
but then you left in silence.

I wish I could read you.
There are so many things to wish for,
like better grades and smaller noses,
money, fame, and peace on earth.

I wish that somewhere out there,
beneath the pale moonlight,
sunshine on my shoulders made me happy,
and I could fly, I could fly, I could fly . . .
                              

                            Sleep? No thanks, I'll sit here,
under blinking fluorescent lights
and type bad poetry into this box.
(No copyright infringement intended regarding the published lyrics referenced in this poem.)
ORLA Oct 2012
I would love to write a poem on Nature,
My Romanticist tendencies ache
To ponder, in verse, the meaning of life
As reflected on the face of a lake.

I would love to write a poem on History,
An epic that sprawls every age,
Which narrates the tales of the heroes of old
And the magnificent wars they would wage.

I would love to write a poem on Religion,
And debate the existence of Heaven,
Expound on the seraphs and the names of the stars,
And the numerical meaning of "seven".

I would love to write a poem on Anything;
Any one of the former would do.
But, for some reason, I'm unable to write
About anything other than you.
ORLA Nov 2012
My knees quake violently with the urge to run so far so fast no one will even see me pass
My chest constricts so that I can feel the shape of my heart and I realize it's in two pieces
My breath hitches in my choking throat because the sobs won't fit because they are too big . . .

I've finally come to the conclusion that the human body is simply too small to hold the soul
And that's why we die.
ORLA Dec 2013
She danced in the dark grass on white frozen feet
And she twirled with her skinny arms wide
She stared at the sky and imagined it full of the
Demons she carried inside

She took off her nightgown and let down her hair
As she waltzed with the ghosts of her past
She fell on her back, all spread-eagled and bare
For she knew that this night was her last

Oh, if they saw her, they’d say “Crazy”
Oh, if they saw her, they’d cry “Mad”

She watched constellations do cartwheels above
Felt the tilt of earth as it spun
And from outer space came a cold rush of black wind
As she circled an invisible sun

Oh, if they saw her, they’d say “Crazy”
Oh, if they saw her, they’d cry “Mad”

And she knew that the stars got as lonely as she
And she wondered if planets could cry
And she realized she was as alone on the earth
As they were in the sky

Oh, if they saw her, they’d say “Crazy”
Oh, if they saw her, they’d cry “Mad”
ORLA Oct 2012
The preacher man is up there hollerin':
Spittin' hellfire don't fall here, only grace,
But ****, such a hot, fiery grace it is,
People screamin' all over like they was burnin' in it --
Maybe they are,
Burnin' up with thirst, cryin' out about
Walkin' through a desert, tryin' to get to that livin' water . . .
But not me.
I don't see no desert, and I ain't thirsty
'Cause I got me the biggest old lake o' water,
And it's just jumpin' and dancin' there under the sun:
It's all mine and I can drink it, or swim in it,
Or just lay on the bank on my back and soak in the smell of it.
So no, I ain't screamin',
I ain't hoppin' up and down like my feet was on coals.
I'm quiet, quiet, cool and quiet,
And I'm the most alive out of all o' them,
Livin' and just so **** happy
'Cause you are my livin' water
And I love you.
ORLA Dec 2012
It stalks around the house, muttering through doorcracks,
And smiling emptily like a plastic thing while its
Sick shriveled eyes roll in its skull, searching for something
To bite the head off of with yellow, grinning teeth.
No one else is allowed one: brain, ears, tongue . . .  
Dangerous things that dig up questions like worms.
No heads for you.
It is Head.
Head is it.
ORLA Nov 2012
He always sits alone at lunch,
The Roundheaded Kid.
(That's what they call him.)

He never talks to me,
But I wouldn't mind if he tried sometime.
I think I like him,
But I'd never tell him so.

Yesterday he looked at me,
Sitting by myself on this bench,
Eating peanut butter and feeling lonely
Especially when it stuck to the roof of my mouth . . .

I thought I saw something
Sparkle in his eyes.
(The Roundheaded Kid has nice eyes.)

But he saw me looking back,
And put his lunch bag over his head.
Dedicated to Charlie Brown
ORLA Oct 2012
Fake love, true love, red love, blue love,
***** love with cherries on top.

Love is a four letter word - like a curse.
"****, ****, ****, ****, love."
Go put your wishing-well penny in the swear jar.

Love is like pasta,
A flavor-holder for tomato gravy adjectives:
"unconditional", "passionate", and "infinite".
I'll take mine al dente.

You're not "in love", you're "on love",
Because cloud nine gets you higher than *******,
But you fall harder when you come down.

Why write about love?
Why not write about socks?
I'm sure they're almost as universal.

They sure hurt less.

Except when one gets lost in the dryer
And you are left wondering
What you did to make your left sock hate you.
ORLA Mar 2013
I am too young to think of ghosts
And wait resignedly
For all my future hopes and dreams
To turn to memory.
If I did not succeed at first,
I should try again
And should not be content to think
In terms of "if" instead of "when".

I am not old enough to wish
Forlornly for the past
Or to expect the things I want
To come to naught at last.
Why am I so resigned to losing,
When I could be winning?
I should not think of endings yet--
My story's just beginning.
ORLA Mar 2013
I don't require shining armor.
Reflected sunlight hurts my eyes.
ORLA May 2013
A velvet curtain call concluded,
A cheering audience cried,
The critics published long reviews
Predicting Broadway's newest pride.
The cast was given high acclaim
While, standing to the side,
The playwright could not understand
Why it seemed a friend had died.
ORLA Mar 2013
In my name
Hear the scream of thousands
Of ancient warriors,
Naked, painted green like the
Forest they fight for,
The crash of crude weapons
Crafted by delicate fingers
Glimmering like water
In the hard, cold sun,
And the shudder of trees
In sudden, silent anguish
As the last elfin warrior
Falls dead among their roots.
ORLA Dec 2012
Once upon a time, there was me:
A simpleton of no account,
A dunderhead by word of mouth,
An addle-pate, a cracking crock,
A crazy who deserved a lock.
Not pretty, brainy, or well-bred,
Bespectacled, a short redhead
With hands too small and far too pink
Who’d trip or fall as soon as think.
Not many prospects, they declared
With such conviction I was scared.
But the cast was short one role,
The one who’d make the halfwit whole . . .

Once upon a time, there was you:
A lord of state, of high esteem,
The answer to each maiden’s dream,
A strong man, raven-haired, and tall?
No, not this person, not at all.
You had glasses just like me,
And freckles where your skin should be.
Your clothes were rumpled, torn and tattered
Not as though that even mattered:
You walked on set and came to me
You got down on one gawky knee
You took my pink hand in your red
And, as you fixed your glasses, said:
“I love your hands, your height, your hair,
I love you up, down, everywhere.
And I hesitate to ask you this . . .
But could I maybe have a kiss?”
And, for once, my tactless lips
Did not resort to stumbling slips;
I gave you one, I gave you two,
I gave every kiss I had to you.

Once upon a time, there was us:*
Two simpletons of no repute
Two dunderheads whose names were moot:
Prince Not-So-Charming and his *****.
And much as cynics tried to drench
The flames of addle-pated glee
I found in you and you in me,
As much as they enjoyed pretending,
They could not harm our happy ending.
Something I wrote a few years ago - forgive its awkwardness, the sentiment still applies.
ORLA Dec 2012
This poem was only written to
Create a meter and a rhyme
There is no deeper meaning here,
So if you don't like wasting time
On mindless drivel, here's your hat
Because this poem is just that!

No wellsprings of emotion flow
Nor subtle allegories preach
Within these empty, patterned words -
I have no wish to moan or teach
Go somewhere else for love or fear
Because you will not find it here.

Now to apply some filler words
Like catnip, ice cream, roller rink,
Because I have no words to speak
And do not wish to feel or think.
I told you you were wasting time
Upon tetrameter and rhyme.
ORLA Mar 2013
On the days that I see you,
The poetry flows,
And on days that I don't,
Words won't even rhyme.
So you see, it's important
To the future of prose
That I see you as often
As you have the time.
ORLA Oct 2012
That rather awkward moment
When you try to find a rhyme
So you bend over backward
Trying to keep time
And it ends up sounding forced
Even slightly trite
Like you literally sat there
All frigging night
And sweated and banged
Your head on a wall
Trying to come up with
Anything at all
That would sound like a rhyme
Because you are a poet
And you've written before
Though no one would know it . . .
There is such a thing
As a poem with no rhyme
It's called free-verse, ******* -  
You should try it sometime.
Dedicated to all those wonderful authors who ****** their poems attempting to find a rhyme for the word "world" that isn't "unfurled" because they used that in the previous verse.
ORLA Nov 2012
Poor little puppy,
short scrawny thing with
tiny black eyes that are
sad even while smiling.
He was a present,
cherished and played with,
but now he is often
banished to the corner
while his young owner dreams
of riding golden horses
instead.
Guiltily yours,
ORLA
ORLA Jan 2013
Step One

Be reading a book when she passes your seat
And if she stops for a moment, say, with quiet excitement
"You really would love this book".

Step Two**

Apologizing beforehand for wasting her time,
Proceed to read to her, in a deep, gentle voice,
A page or two from chapter one.

Step Three

If she likes it (she will), and says it's well-written,
And that she must find or purchase a copy somewhere,
Offer to let her borrow it.
ORLA Nov 2012
My dearest friend, what have you done tonight?
I fear you may have ****** up once again.
You only had one chance to get it right,
And now I think you might have lost a friend.
You ran away as soon as she declined . . .
Affections are a ***** if not returned,
And many who assert themselves will find
The hearts they wear upon their sleeves are spurned.
But don't give up completely. There's a reason
This love-will-find-a-way **** is so toted.
Some day, somehow, within the perfect season
You will find Her. And I'd like it noted
                That though you walked into a trial today,
                It was a stronger man that walked away.
For a friend.
My second sonnet ever. Feel free to judge.
ORLA Dec 2012
. . . a glass of cold milk after eating a warm chocolate chip cookie
. . . a long hot shower after an hour long run around the indoor track
. . . a piece of blank paper after buying new ballpoint pen
. . . cracking open the thick, juicy sequel to my favorite novel
. . . a cup of black coffee after a long night and a late morning
. . . a stretch after two hours of bending over a computer screen
. . . a catnap between classes after an allnighter spent cramming
. . . a jumbo bucket of movie theater popcorn with extra butter
. . . my warm fur-lined coat when it's below thirty and snowing
. . . Christmas presents wrapped in shiny paper and foamy ribbons
. . . a good grade on the research paper I spent a week writing
. . . just one more potato chip
. . . fame and fortune
. . . she does
ORLA Dec 2012
Standing calm and still before the storm today,
Is strength or callousness what keeps my eyes so dry?
Should I bask within the firm resolve I feel,
Or search myself to find a broken heart and cry?
Are tears condemned as something for the weak to give,
Or do they measure some desireable quality?
And what could one conclude from having none to shed:
Are they possessed of fortitude or apathy?
This is something that's been bothering me lately. I'd like to believe I have not become callous and unemotional, but I'm not brave enough to look deep down and try to find where it hurts . . .
ORLA Mar 2013
In her cartoon world in shades of pastel browns and reds,
Little orphaned Ann Marie skips through twisted nightmare scenes
On corroded tape on VHS or a flimsy plastic five buck DVD.
Come home, come home to my heart
Kneeling on pale, cartoon knees and singing sweetly of secret dreams,
A haunted melody forgotten by all but a few jaded '90s college kids,
Ann Marie wishes on stars in dingy cellars on days she cannot go outside.
When you come home, we'll never be apart
Trapped in her B-quality version of immortality, Ann Marie repeats her lines
While the girl behind the microphone drops dead in a puddle of blood.
For the nameless actress who played the orphan Ann Marie in the '90s cartoon "All Dogs Go To Heaven".  I just found out her father murdered her when she was ten. Maybe she'd have been better off without the parents she was searching for throughout the film.
ORLA Dec 2012
hello,
it's been really long.
i hope you remember me.
i miss you a lot.
i think about you all the time.
i stayed on the shelf where you put me,
to make sure that you could find me again
if you ever wanted to look.
it's dusty up here, and dark -
i don't think you remember
but i've always been scared of the dark -
and the others are all slowly dying.
i hear them at night,
falling over,
as their button eyes stop shining,
and they stare deadly at me
through the blackness.
they still look sad.
i guess that's what happens when
toys get forgotten.
it's kind of cold up here, too,
but i can remember
your warm, soft bed
that always smelled like sweat
and soap
and the lavendar oatmeal shampoo
that mommy always put in your hair.
i think i might be dying too.
i haven't been feeling well.
have i been forgotten?
have you forgotten me?
i don't blame you,
every child must grow up
and leave.
but i was wondering something -
if it's not too much to ask,
do you think that maybe
you could come find me
take me off the shelf
and bring me to bed with you
just one more time?
use me as a pillow
and wrap me in your arms
and let me be scared of the dark
with you
one last time . . .
Go find your favorite childhood stuffed animal and give it a hug - it misses you.
ORLA Dec 2012
Sometimes I wonder if I'll find a love
That buys me roses every Monday
Even after fifty years,
Or walks across a thousand miles
To deliver a snowbound love letter,
Or drives six hours as a surprise
To attend a Sadie Hawkins dance --
And then I think I'll be content
With someone who calls every once in a while.
ORLA Mar 2013
You sit across from me and
spit up garbled words like an infant,
you and your gassy smiles.

So I sit here, up late again,
and regurgitate them all on paper,
to get them out of my system.
ORLA Dec 2012
I am a deep green 'L' with traces of gold and red.
I sound like a babbling brook or, better, a book
Because books sound like smiles and tears,
Which taste like snowshowers and chocolate kisses.
Chocolate reminds me of the number eight,
Which feels warm and spicy and rather yellow,
Like the song "Somewhere Over The Rainbow".
Rainbows feel misty like the edge of the universe,
Which definitely is a hue of blue, much like you,
Because blue sounds cheerful and solemn
Like a bagpipe or the Mona Lisa,
But with a smidgen of whistling in the rain mixed in,
Just to make you smell even better.
ORLA Jan 2013
"Don't cry because it happened,
Smile because it's over."
Dr. Suess had it upside down.
ORLA Mar 2013
I stood by the river today
And wondered what it was saying
In its cool, babbling whisper
And I wondered also
If the river was listening to me
And wondering what I was saying
In my harsh, cobbled tones
When I asked it what it meant
ORLA Nov 2012
I'm not the type of girl who
promises forever.
I'm too realistic, and too
used to disappointments.
So I won't say I'll love you forever.
I love you right now.
I love you as much
as I know how.
And I will love you for
as long as I possibly can.

If it happens to last forever,
I'll be okay with that.
But you are human, and so am I,
and everything ends,
and that's okay.
So let's enjoy what we've got
while we've got it,
and when its time to move on,
lets shake hands and let go,
and take the good memories with us.
ORLA Feb 2013
Climbing through barbed wire
Fence and into the
Trees and through the
Bogs and across the
Ice and over the
Swamp on my hands and
Knees in the frozen mud
With my nose near the
Paw prints of squirrels and the
Sound of the river rushing in my
Ears and then over my body -
Freezing and sharp to wake me
Up - then onto the
Rocks and past the sign which
Read "no trespassers" a little
Too late, then on up the
Road and over the
Guardrail
Onto the trail
Past the fields
Over the wheel ruts
And under the chain
Back home again,
Soaking wet
And very much
Happier
To be alive.
ORLA Feb 2013
Late late last night - well - I guess I mean morning,
It was after five, after all, I suppose,
You let something slip in a rant you were on
And truthfully, nobody knows
How much that it hurt me inside when you said
Those two little sentences: "if" and then "but".
Why did you say that, to me of all people?
Why didn't you keep your big, stupid mouth shut?
ORLA Jan 2013
If armageddon were to suddenly rain
down on the world in flaming reality,
I would take you somewhere with me -
we'd hijack a car or hitch a ride in a truck
until our wheels broke down and then
we'd start walking, just us, fingers loosely entwined,
into a nuclear red distance where we'd
find some railway tunnel or bridge to hide under.
Both of us would curl up under your army jacket
against the lashing acid rain and freezing ash
and I'd hold your beautiful hands
as we would sing love songs we'd heard
during happier days.
If you got sick, I would dig you a cave in
the side of a ***** or build you a hovel
in some forgotten junkyard and wrap you
in everything I owned before going out
to steal food, disgusting rations that I would
wash down with deep kisses and draughts of
acrid oily water, until you were healed.
It would be the two of us, standing together
in the midst of a crazy swirling hell and
you would carry me if I got too tired and I
would lay your head in my lap at night and
run my fingers through your thinning hair
and talk about the moon and stars that we
remember but could no longer see . . .
and believe me, darling, I would be
the happiest person in my anathema version of heaven.
ORLA Oct 2012
Eight times a year I go barefoot to wish upon the moon.
I leave my sterile religion folded neatly in my bedroom closet
And go hunting for fairies in my nightgown,
Following druid shadows across the sloping midnight lawns.
ORLA Jan 2013
Not talking to you for so long
Is a sad thing to endure
But now I know of something else
That pains me even more:

That moment when I speak to you
And realize then and there
That if we never talked again,
I wouldn't really care.
ORLA Dec 2013
City lights make me forget
Your window’s yellow glow
And the face that I miss most is drowned
In faces I don’t know

They all seem so happy here
I can be happy too

Please don’t send me letters, sir
They remind me of my pain
It tells me that through all the changes
I remained the same

The footsteps of a million people
Hide the missing sound
Of your uneven amble next to
Mine, upon the ground

No one round here gives a ****
Seems I’m still giving two

So please don’t send me letters, sir
They’re full of ghosts, you see
That taunt me with the cold hard truth
That you have gone
And the city moves on
And I’m still stuck as me.
To be set to a melody at a later date
ORLA Mar 2013
You prove the existence of God
By simply being you.
Q&A
ORLA Dec 2012
I sit there
Wide-eyed
And let everyone pour their
**** into me
Under the false notion that
They will appreciate it.
But who loves a
Trash can?
ORLA Nov 2012
I want to carve your face into my tentative words,
Your forehead, your nose, your chin,
Gently slicing off an adverb here, an adjective there,
Running my fingers across the keys and across your profile,
Until it is perfect and my poem looks just like you.
ORLA Dec 2012
If feelings were colors,
Right now mine would be
The empty black vacuum of space
The panicky bright red of unexpected blood
And the greenish gray of an oncoming storm.

If feelings were temperatures,
Right now mine would be
The cold of slimy, shivering fever sweat
And the phantom heat of a third degree burn

If feelings were expressions,
Right now mine would be
The long and horrified scream of Edvard Munch
And the agonized tears of Rachel weeping for her children

If feelings were weather,
Right now mine would be
A shrieking hurricane of acid rain
A night choked with fog so thick you can't see
And the hopeless burning nothingness of a desert afternoon

If feelings were words,
Right now mine would be
Probably very close to the ones you just read . . .
Someone very dear to me has been lost. I don't know how I shall get through this. Expect a deluge of dark poetry, or none at all. If it is the latter, know I might just have gone to the bridge . . .
ORLA Jan 2013
I send notes in bottles
to imaginary friends
on distant beaches
while combing my fingers
through the cold, white sand
looking for the sea glass
that will cut my hands
and throwing out seashells
because they aren't
nearly shiny enough.
ORLA Nov 2012
Do you have to be less than whole
To be wholly in love?
All this talk about completion -
"You make me complete" -
Sickens me to no end.
"If you left, I would be nothing."
And you wonder why they leave?

I would be just as complete
With as without you.
You don't make me,
And I wouldn't want to have to
Make you.
You are whole and perfect,
As I am whole and perfect,
And together we will
Overwhelm the world
With our perfect wholeness
Squared.
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