You are a field of juniper trees, and your fruit serves as spice.
Bear the meat of your branches to sustain my flesh.

There is an idea that I'm the thicket and the mire.
I am a fen, obstructing the progress of civility.

You have your saving graces, like being late for work.
The windows and doors that break up your walls have purged you.

Talking to you when I'm dour is like tiptoeing amidst 88 keys.
I speak to you in scales and you reply in minor chords.

Diametrically I fear the morning may bring slight frost.
You are still; persistent with the coyly threatening.

And though one of us may be artificial, I was trying to be vague.
But sometimes I get so involved in the actual literal meaning in things.

When you enter, it’s as a fog would, a cloud come crashing down.
And I have failed to avoid the damage in your wake.

I am the coy smiling handsome man
and my feet beat the darkness away when I rush.
And I rush, in the alleys, sightless,
an actor led by lines of wilting dialogue.
And jasmine litters the gutters, fit to be dredged, the
aroma and the petals streaked with reminiscence.
I rush. I am the man toward an apogee,
a scalpel, with tastes as keen as winter lavender,
and eyes that feel the weight of tastes behind them.
As I dredge the depths for rarer tastes
I rush toward the gutter.
And like the gutters I thirst, in the levees and fen-
In the fen the rush of prey caught
Idling fills the space inside my eyes like oil,
and I dredge the lake for traces.
I am the actor, the dredge, my wit rehearsed
and I am acquainted with the lady of the night.
I smile as she caresses my oily deluged eyes-
And her eyes are filled with bile,
accented by jasmine, even
in the dimmest light of
gutters are rushing to an
apogee, fiercer than I'd like them to
appear, but I am the scalpel, to incise the insincere-
I am the prince, an heir to exacting the coerced-
I watch her eyes like windows from the gutter like a vigil
and hold tight to her breath.
I pour her blood in paper cups
until her breath is weightless-
And I rush, an actor, in the scene that we portray-
I am the giver, the oily deluged eyes that close around the flesh
and rend the fruit from the rind.

I’ll split the hairs, I’ll split an atom
And never leave the bedroom.
I most identify with December,
Not because of the crushing temperature
But the lack of cosmic dawdling
Is no more mesmerizing than a frozen phoenix.

And as she arrives by train from Phoenix,
I study who she appears to be, the atoms
Composing her auburn hair with dawdling
Authenticity shout “Take me to the bedroom!”
While the wedge of geese in this temperature
Head to the Southern Hemisphere’s December.

The common chill of this morning in December
Prevents us from rising from out the covers like a phoenix,
And our blankets like ash defend us from the temperature
That stills the vibrations of the atmosphere’s atoms.
I curse the insulated walls of the bedroom,
Trapping in heat and discouraging our dawdling.

A rafter of turkeys outside my window are dawdling,
Printing their runes on the documents of December
Between the thickets surrounding the bedroom
While the sun, golden like the plumage of a phoenix,
Awakens in my bones every dormant atom,
Instilling in me courage to brave the temperature.

I follow her, dressed, from the bedroom
And her footsteps serve to punctuate the temperature
Like the smoldering beak of a phoenix
Too busy being risen for dawdling.
She leaves, by train through the chill of December,
Me daydreaming of fission. The splitting of an atom.

I’ll split an atom daily, safely within the bedroom
And sleep through December’s pitiless, hollow temperature,
Waking only for dawdling until Spring is a phoenix.