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I do not know why you moved to this side  
long ago, before your city became a **** zone  
maybe you knew something I did not  
you knew many things I did not, which I discovered
when you politely corrected my grammar  
though it was my native tongue,
and one you learned reading our newspapers,
watching our television
listening, more carefully than most,
to what the gringos said  
you told me tales of the arena,
usually after dinner, on your back porch  
when the shadow of the mountain covered our houses
like a quiet blanket, blocking out the blistering heat
of the desert day  
you would offer me a soda, always  
before my questions began  
your civility was strange to me at first,
the adults in my family barked and cackled  
your words rolled out like sweet liquid  
and left me wanting more  
I never asked why you had no woman,
you were as handsome as any man I knew  
later, years later, years of name calling later
I guess I understood,  maybe
that was why you left your home  
though the blind blood of bigotry
ran freely on both sides of the Rio Grande
and I knew you to be courageous
for when you told me the stories,
as the desert sky became violet and cool,  
and the few cicadas began their song,  
you boasted not of your dangerous dance
in the packed dirt of the ring,
but of the art it took to silence the beast  
the lost look in its red *** eyes
and the silent sadness you felt  
as the crowd cheered
another beautiful death
Away from home in academia
***, philosophy and religion
I’ve been skeptic about all these years
revels  of hell in lost memories

couldn’t be a new dialect for spring
turn **** with refreshing ******

I still wander in my mind with fire
but  no heat or light, sterile emotion
routs the spirit to live making
all presences dark and absence

fears are no bread from heaven
nor unfilled emptiness any sky

yet the eagle flies with wide eyes
nose opened to stinking patches
the mud-  and ghostscapes that yield
mandate for dreams wrapped in nightmares:

I live preying for liberation
and decay with divinity


--R.K.Singh
NIGHT’S SILENCE

Unmoved in the wind
the rose still stands *****

in the night’s silence
I imagine my teens

the street is lonely
and love-ache ever fresh

with stolen fragrance
now halting rhythm of ***

--R.K.Singh
I think God left the window open,
or Satan closed up hell for good.
That is why it is cold.
And white Jesus is reading a book in Starbucks,
located at the Northern end of Philadelphia.
That is why the Southern end sins.
Somewhere between the kites
and the airplanes,
hovers all of the good thoughts.
However,
the thoughts are there,
while we are here,
and we fish for them on sunny days.
That is why most days we think of how much our lives should change,
because it rains.
And If it rains it is because
someone forgot to pray to Mecca,
or some Muslim woman is uncovered in the street.
This is why things happen.
Like earthquakes forming from aborted children,
and tsunami’s from Buddhist converts.

I forget what happens when lovers meet,
or when cancer magically goes away,
but I will fight you until the end when I say
it is raining because people swear too much.

And it rains way too much here.
She left me with sand in my teeth
and crushed roses
between my toes

Fumbling I jumped
like a midnight plunge
into an icy lake

That  night I didn't dream
or forget where I was
and who I was holding

She slept with a frown
deeper than the usual pout
she kicked like a wild horse

If it is manly to get kicked
stop the ride
but I want to keep going
I held you loosely beneath sheets
that should have been washed a week ago.
you rolled away in a dream,
and I didn't bother to try and coax you back
toward me.

Earlier that day we'd made some polite conversation
with a man on the street who
You knew a while ago.
And I stood there and smiled
(I know how dumb I looked, one of your friends
once said I had no personality--at first I was angry,
but thinking it over,
who could blame her).

Later you told me how your best friend died
and I watched you cry again, feeling terrible
and uncomfortable in my sneakers.
I think after we both mourned and I'd undone the laces
we might have gone out to get a sandwich,
but that could have been before.

When you rolled over and kissed me after the
lights were out it was hasty,
and our *** was too.
It was hard to see love in it.
(it was closer to relief.)

But I fell back asleep anyway, and didn't stir
until your dream made you roll back
over to me, and pull me close under your chin.
Let me twist a dream of her
from glistening gold and sunrise silver
breaking in the East.


Once woven, I will call her Eden,
of only innocence and eyes to see pure,
with no knowledge of the war.


Still hasten I to the land of Nod,
still trod I with head down,
staring at ****** hands

Where is our remorse for love lost?
For a promise broken, I will forever
trudge this hill
as this stone slowly breaks my back.
I have always been fascinated by the stories of Sisyphus and Cain. Sometimes I think I will suffer like them, condemned to wander forever alone.. kinda like the Hulk only less cool.
We are manufactured landscapes,
constructed through naming nouns –
we celebrate difference.
We are compelled into being one or the other,
like a nail or a hammer.

We reference nature through motherhood,
voluptuous in her national pride narrative,
her lips red pucker supple metaphors like her fertile ground,
her belly always pregnant
ready to plant desire in discourse.

We forget her industrial miscarriages,
her toxic tar-sulfur consumption,
her global half-bred garbage in words left unsaid,
her ***** laundry in patriarchal hands.

We forget her midwives,
her toiling underpaid workers
who support generations of waste
who spit up truth in plastic mouthfuls,
who regurgitate material narratives
to celebrate flesh in mythic wholeness.

When will the nation, earth and world step from its subject of motherly pedestal and name its androgynous existence, its forgotten lifelines?
Please remember
on those dark dark
dark nights

The dawn is only over the hill
Racing to get to you
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