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I want my points
of entry into
states of wanton wide release grace to be
more graceful.

I want enough to
remember what's inside
the room to be able to resist the urge to claw,
drunkenly at the door frame or
**** the door **** because I am so far
gone from grace that this makes sense.

There's so much talk of a wealth divide.
Rich getting richer but what of the trickiest
shitfest yet?  How only grace begets
grace and doorknob ******* makes ******* doorknob
babies,
who'll likely be humpers too.
for G*

of course to take you in my mouth, deeper still but more than that to
peel you from you, spine from wing, sated rind from hoof, dazzle eventuous from the rhurbarb

pie still on the sill and still cooling.  I want to do with you what
ice cream does with a warm pie, a little butter unzip

to be a sugar cube and hurl
myself off the silver tongs and into your steaming, baby, to answer the question with my first tongue.
I don't know what word other
mothers secretly wait
for their children to utter

but when my son first said mommy
I felt like an ice cream cone
sliding off its hinges toward the grinning dog's
waiting tongue.  When shoe came,
he stopped looking at faces for a few days
to more fully watch the world
where his new word lived.

Daddy comes and I change the subject. Last night,
I built a good enough campfire while my dad held
the boy and pointed heavenward, beginning his
celestial litany, Andromedae, Cassiopeiae,
Draconis, Moon, Star, but the Sun is
asleep
, and I suddenly felt too
close to the fire. I knew I was nearing
that glen around my secret word

In the growing proximity, the world narrows
into the paper-thin bridge where only poetry will fit.

Later that night, the baby wrangled with
his own yawp and could not lay his head
and so we walked the isle
and stopped to be wooed by frogs with banjos in their hearts

and we remembered together all the secret
trails to lagoons and we pointed and garbled
at all things known and unknown

and at last, he pointed to the sky and said new.
I peered up to see what was new, but that was
not quite it - he tried again, moo

and the last gear gave
and the great machinery of my waking
rolled onto the highway of my own life
as the son put the two words together and spoke my secret moon.
this was during a father's day trip, and am trying to get at some of the thrill of a poet parent watching a child come to language
for Mary Ellen*

(two friends dance of lovers)

the question is, then, do we want
(what do we want) and want more
than not want
             what want is worth wanting

to smell of each's skin?  To be
the grass beneath
these quaking hands?

Response two:

Not everything is a cartwheel
that lands you on
*** grass on
fire in big wind, but some
things sure as **** are. And if you don't love
you best stay clear of collaborative art all together
cuz if
art renders you see through
and makes you
sun shot and seen

than shared art is heart-****
a jeweled fist closing fast
the thigh mile between knee and hem
and as it disappears
another epiphany thunders o'er
the not yet done shuddering
tundra of the unforgiven poet.

Response three:

the thing chased is merged,mythical
with the body of a woman alive
and the head of a woman
dying from so much understood pleasure
wild and crude as oil, he can't figure
what this place is, or is not.  No comparative framework

Just blown circuits, but what other
thing can a rose garden ever be?  

When he grabs the baby
and jams her face into the roses

the pair, darting in wild spirals
rose to rose to rose, his disbelief

nearly topples them, and he howls
“Can you ******* BELIEVE IT?

He is a man
having his insides dynamited out

and dancing to
keep from having to look

His woman smiles and smokes
and strolls along behind.  
And when her smile reaches me,

not a: to keep away the bounty
kinda smile

but a: we are the ******* rose garden, smile .  And the sudden

delight comes for me on a felled swoop I did not
see coming, thank god, or I’d a done a thing
to get ready for it and that
spoils the pudding again and again

so dastard and unexpected, I make
room for it, despite myself . What else

is there to do but to long to be a thousand fathoms
simpler,

in the way that water is simpler
than lemonade, simpler even

than that:
to smoke,

if I want to.  And be happy,
if I can.  And to love a man utterly undone

by a beauty he knows
no name for.
I imagine Darcy on the cliffs, beyond which the sea,
his blonde hair, so now so very, in his eyes so that he has to tip
to see
everyone and everything more than two feet tall
which is a lot.


Mostly I imagine my joy at seeing my son
older.  i don't know why that is thrilling.  
to think of the man in him emerging more and more
until it reaches a tipping point

but now that makes me sad
and I am thinking i will long for these days when he bites
and smacks Kayleigh in the face with trucks and is unreasonable in his greed
to burn so bright

When we get future sad, we are imagining
that the object inspiring wonder
and our own type of greedy enjoying,
will leave a gaping hole

and there will be nothing to love so
un-holding-backingly
which is why it might be nice to
practice a little
now
to lean out the bus window a tad more
and love the stupid frog
on the woman's umbrella
or the rain that refuses to fall
on the stupid frog
or the cloud that refuses to move until the rain
stops being so uninspiring and vague

or the roses, oblivious and sunshivering together, in the garden
that was once a great secret from me
and is no more.
dating an inbetween man is like sleeping on a bridge.  You will see
every ******* star.  And
wake with a chill.

— The End —