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 Nov 2012 Myria Mandell
Tom Orr
Steam escapes the surface
Of infant mince pies.
It spirals upwards, dancing
Into the winter haze
Where headlights, opaquely visible,
Fight the fog.

The mist flurries atop the frozen pond,
Over brittle leaves, half caught.
The deer nuzzles in frosty thickets,
Searching the winter veil
For stray nut.

‘neath the tap my hands endure
The bitter cold of winter’s water;
But happily I return to my window,
And cast a gaze once more on winter Britain.
The fire leaves a smoky essence,
A homely smell.
December come.
Isn't it strange living in another person's head?
It's like Being John Malkovich,
or Anne Sexton
as I rode along with her
wild rides into sand at the beach,
lost in Boston again,
inside a mind
that was different but still mine
because I saw
that very street lamp she did,
and in her advice to me,
that yet unborn memory
that would never be,
I heard her words in soft puffs
of nicotine-scented tickles
in my ear, warm air
before young lungs
had ever breathed in,
and I cried
because she was speaking to me,
though she never knew it
when the words clattered
from that old Remington
like a machine gun-
I was just an idea
she never really had,
a wish in soft feathery hair
on the chest of man
she shared lust with as he slept,
not knowing he would father
a specter delivered from a womb
that had closed for business.
Our walks
along an asylum lawn,
returning waves
to suspicious grass,
green oceans to get lost in
after sewing leather wallets
from our own hardened skins
as if projects could ever fix
the worlds of sin we lived in,
pandering doctors offering
officious pretense of cure
against the sweet furies
of sunrises, sunsets,
earth worms and *****.
So, can I cry
having crossed a divide
into another,
for moments residing
in the soul and belly of a mother
who was never mine,
though I feel her pain
as if we own it together?

— The End —