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murari sinha Sep 2010
the time that is moving round me now - 1
some are going ahead
some are going back

having my fingers wielded
on an old type-writer
i’m thinking what should i do

a pretty long time passed away
since the village alphabet
had bade me farewell

in my recent thinking
there is a severe harikiri

the song
that i have sung in a deep forest
in front of the wild flowers

now when i am sitting  
under the ceiling-fan
of the heaven

i can see that both
the lyric and the tune of the song
have vanished


the time that is moving round me now -2
this morning
i’ve woke up little earlier
to observe the dawn

the flags of my behaviour
are posted in the grass-land
around me

no one should take them
as the handkerchiefs of
a demon

a group of people is harvesting
the paddy of the spring-season

i too join them to remember
the water-game of the ducks

i’m speaking less
or keeping mum

but there remains so many topics
to be discussed

the battle of the ballots…
the global recession…
the climate-change…
the terrorism…
the joint-force…


the time that is moving round me now -3
i’ve made a thorough discussion
with myself

so many arguments which lead to
even so much fighting

i see that there has been not
much lamentation or brooding  
not much grief or sorrow
not much tension or anxiety
of my own

all the time
surrounding me only is a grey
non-attachment
and a joy sans any emotion

then i think
if the rose can forget its sorrow and distress
why should I remember them
with so much pain and pancreatic problems

the time that is moving round me now - 4
there is no ending of words

is there anything that may be called
the end-word

let the words make questions
let the words give replies
let the words shout
let them battle among themselves

i can’t understand
why is there so much endeavour
to take me into that chaos

a plant of small white flower
is enough to make a garden itself

even-then
an assembly of
the rose the jasmine the tuberose is made
to increase the rule of the garden

after picking flowers from those plants
my wife puts them to the feet of the god
to worship him

she has a drinking-glass a plate
a hand-fan a throne
for her god

all are like tiny-toys

among them
the throne
is very important

till today
in many of our houses
there is a throne

but it is neither for accession of men
nor for making themselves king

i’ve already said
the throne is for our god

that means for our lying on
there may or may not  be
even a broken cot

but for our family-god
to provide a throne
is a must

the time that is moving round me now -5
on that day
when once i had gone into the
myself-man

i saw
that the government and the opposition
both sides were gheraoing  one another

in the same pace
they were reciprocally
quarrelling threatening rebuffing abusing

thus there was running
a fine piece of democracy there

it gave me enough pleasure

then i again came out
of that myself-man

in the outer-world
i saw

bypassing the stones and the hard
the roots of the trees
going deep down in the dark
in search of soft soil

and their branches are taking bent
towards the sun-light

the time that is moving round me now -6
of late
my intelligence seems somehow
to become slippery

there is so much pollution
in the myself-ism

it seems
even in collision with my shadow
some dragon-flies are killed every day

why do my eyes see so little
why do my tongue speaks so harsh words

to whose custody has gone
those rain-drops

those lemon-blossoms

there is the glittering of dew-drops
on the cob-web

the evening-worship
is sinking into the barking of dogs

as if the wings of the parrots
become van-rickshaw

as if the moon-light were
gradually retreating
in the enlightened city-life
murari sinha Sep 2010
1.
when the morning sets in
with the sun rising in the east
i put on the dress of a beggar
extended up to the horizon
and the canto of my begging starts

i beg
beside the big-bazar
beside the fly-over
beside the college-campus
beside the cow-market

you then put your elbow
on the body of the day
giving a perfect and unbiased pose
to attached to the album of life

people of the working-class
spread hither and thither
to write some more decimal fraction
on the notebook of life

2.
in the dusts and soil of rural-bengal  
in the testament written by the grass
i am a son of the immortal

my begging-bowl is the most
favourite go-ahead of a alone man

then speaking around are
the chop singara aluposta

and the love-story of a hyacinth  
blooming in the pond
blind by mud

also in the overflowed dustbin of the city
waiting rightly with an erected head  
the excitement of your absence

3.
coming to this canto of begging
do you know
i  enjoy both
your intensity and your sharpness

your secret current flows me to the pore of the skin
of the body of the puller of a hand-barrow
your cold attracts me
towards the syllabus of waning moonlight  

i do realise now that the stale afternoons
saved in my pocket
stitched so many new muscles
with my vocal chord

and i’m howling in joy…

4.
what’s an enjoyment… hahaha…day after day
spending too much chaos
and living to so little extent
tell me is it the least

within the left-over on the leaf-plates
after eating by the baboos
i can discover more and more
love

the mango tree the grass-hopper my begging-bowl
and from the tune of the laxmi-panchali
coming from the middle-class houses
listen, how flourishing is my mother-tongue  

5.
all long the day i beg

i beg rice pulses oil salt
royal blood

in exchange i also distribute
peace… peace… and peace…

and the horses of the gypsies making
a dip-swimming in the peace-water

in the canto of my begging
holding a whole body of love
i learn how to be burnt
by the shadow of the trees  

i give up all my courage
to book a room in your youth
only for me

6.
going upstairs on the railway foot-bridge
i see the strong light of neon-lamps

the girl from the avtar of the flex
induced trance

the aroma of chhatim-flower in the air
and the song of a blind-beggar
with tambourine

those neon-light flex-women
beggar’s-song and flower odour
i see they are all alive
in the canto of my begging

under the evening-star

7.
in the canto of my begging
at the day’s end
the moon that rises behind the rain-tree

i put up in her hands
the lemon-leaves the water-balloons the goal-kicks
that i have had throughout the day
by begging

and i beg from her the magic-wand
by the touch of which the date-palm
that was someday burnt by a thunder-bolt
in front of the church
looks very infatuating

and my dress as a beggar gradually
becomes a royal-dress
murari sinha Sep 2010
…thus riding on a memory-bicycle those people who used to go to pick up dry straws, grasses, twigs from the daily-wage of the squirrels  are neither the husband of any wood nor the wife of any wood-apple … at the best they may be one page full of must-dos regarding keep-fit practice of one’s health…

around the grazing field of the night-gowns
in course of a long-journey by train one has to cross
so many grass-hopper-points

one-piece of life is this

in its daily hopping to pick up the pebbles of
which is the amplification of what
the bodies of all prose and poems are touched with
by the sunshine… by the wind… by the rain…by the water

it-may-be-for-you afternoon
is running

running
is the people after the office-break

running are the broken people

the sullen public
due to late-running of train

before the darkness sets in
on bare branches of the tree
clusters of crows
are running

forward steps of the return-home people
are running

many invitations has been remained
unattended … accumulating…

accumulating…
so much anger… many secret pains… tears…

the life is running
in the  rows of the flying birds

the life is running
in the meat-houses…
in the shopping-malls…
in the churches…
in the wheat-fields…

running … running … running…

salad poetry and salsa-dance
are also running…

in the letters of the alphabet…
in the swarm of mosquitoes…

from William Shakespeare
to Rabindranath Thakur

the sky is running …
the air…
the sunlight…
murari sinha Sep 2010
keeping full trust on the fulia-handloom
some words may be uttered now

some words against the gun

an winter …
some fallen leaves …
some cold wind …
and a big vacuum in mind …

with all those adornments
i’m sitting now
on the terrace of a shiva-temple  

in front of me
in a pond covered with hyacinth  
the water-play of the ducks

in its water
the shadow of the sky
the shadow of the trees

along the side of the pond
a little child is running alone
with a toy-ball in hand

i don’t wish to know now
whether there is any compares
to that run

i’m only sitting
and staring at

it may not be known to others
but i myself know well
that by speaking those words
I try to hide my sadness… my loneliness…

Oh… instead of gun-powder …
if i could put inside the quartos
any translation of this joy of the child …  

those who rule rely on guns
those who want to break the rule
also rely on guns

today when my pen wants
to tell something against the gun
i don’t know whether it will go
in favour  or against
the sky… the birds… the trees… mankind …
(c) author

— The End —