The Ogre does what ogres can,
Deeds quite impossible for Man,
But one prize is beyond his reach,
The Ogre cannot master Speech:
About a subjugated plain,
Among its desperate and slain,
The Ogre stalks with hands on hips,
While drivel gushes from his lips.

At last the secret is out,
as it always must come in the end,
the delicious story is ripe to tell
to tell to the intimate friend;
over the tea-cups and into the square
the tongues has its desire;
still waters run deep, my dear,
there's never smoke without fire.

Behind the corpse in the reservoir,
behind the ghost on the links,
behind the lady who dances
and the man who madly drinks,
under the look of fatigue
the attack of migraine and the sigh
there is always another story,
there is more than meets the eye.

For the clear voice suddenly singing,
high up in the convent wall,
the scent of the elder bushes,
the sporting prints in the hall,
the croquet matches in summer,
the handshake, the cough, the kiss,
there is always a wicked secret,
a private reason for this.

Some say love's a little boy,
And some say it's a bird,
Some say it makes the world go around,
Some say that's absurd,
And when I asked the man next-door,
Who looked as if he knew,
His wife got very cross indeed,
And said it wouldn't do.

Does it look like a pair of pyjamas,
Or the ham in a temperance hotel?
Does its odour remind one of llamas,
Or has it a comforting smell?
Is it prickly to touch as a hedge is,
Or soft as eiderdown fluff?
Is it sharp or quite smooth at the edges?
O tell me the truth about love.

Our history books refer to it
In cryptic little notes,
It's quite a common topic on
The Transatlantic boats;
I've found the subject mentioned in
Accounts of suicides,
And even seen it scribbled on
The backs of railway guides.

Does it howl like a hungry Alsatian,
Or boom like a military band?
Could one give a first-rate imitation
On a saw or a Steinway Grand?
Is its singing at parties a riot?
Does it only like Classical stuff?
Will it stop when one wants to be quiet?
O tell me the truth about love.

I looked inside the summer-house;
It wasn't over there;
I tried the Thames at Maidenhead,
And Brighton's bracing air.
I don't know what the blackbird sang,
Or what the tulip said;
But it wasn't in the chicken-run,
Or underneath the bed.

Can it pull extraordinary faces?
Is it usually sick on a swing?
Does it spend all its time at the races,
or fiddling with pieces of string?
Has it views of its own about money?
Does it think Patriotism enough?
Are its stories ****** but funny?
O tell me the truth about love.

When it comes, will it come without warning
Just as I'm picking my nose?
Will it knock on my door in the morning,
Or tread in the bus on my toes?
Will it come like a change in the weather?
Will its greeting be courteous or rough?
Will it alter my life altogether?
O tell me the truth about love.

Did you ever hear about ******* Lil?
She lived in ******* town on ******* hill,
She had a ******* dog and a ******* cat,
They fought all night with a ******* rat.

She had ******* hair on her ******* head.
She had a ******* dress that was poppy red:
She wore a snowbird hat and sleigh-riding clothes,
On her coat she wore a crimson, ******* rose.

Big gold chariots on the Milky Way,
Snakes and elephants silver and gray.
Oh the ******* blues they make me sad,
Oh the ******* blues make me feel bad.

Lil went to a snow party one cold night,
And the way she sniffed was sure a fright.
There was Hophead Mag with ***** Slim,
Kankakee Liz and Yen Shee Jim.

There was Morphine Sue and the Poppy Face Kid,
Climbed up snow ladders and down they skid;
There was the Stepladder Kit, a good six feet,
And the Sleigh-riding Sister who were hard to beat.

Along in the morning about half past three
They were all lit up like a Christmas tree;
Lil got home and started for bed,
Took another sniff and it knocked her dead.

They laid her out in her ******* clothes:
She wore a snowbird hat with a crimson rose;
On her headstone you’ll find this refrain:
She died as she lived, sniffing *******

The world was young, the mountains green,

No stain yet on the Moon was seen,

No words were laid on stream or stone

When Durin woke and walked alone.

He named the nameless hills and dells;

He drank from yet untasted wells;

He stooped and looked in Mirrormere,

And saw a crown of stars appear,

As gems upon a silver thread,

Above the shadow of his head



The world was fair, the mountains tall,

In Elder Days before the fall.

Of mighty kings of Nargothrond

And Gondolin, who now beyond

The Western Seas have passed away;

The world was fair in Durin's Day.



A king he was on carven throne

In many-pillared halls of stone

With golden roof and silver floor,

And runes of power upon the door.

The light of sun and star and moon

In shining lamps of crystal hewn

Undimmed by cloud or shade of night

There shone for ever fair and bright.



There hammer on the anvil smote,

There chisel clove, and graver wrote,

There forged was blade, and bound was hilt;

The delver mined, the mason built,

There beryl, pearl, and opal pale,

And metal wrought like fishes' mail,

Buckler and corslet, axe and sword,

And shining spears were laid in hoard.



Unwearied then were Durin's folk;

Beneath the mountains music woke:

The harpers harped, the minstrels sang

And at the gates the trumpets rang.



The world is grey, the mountains old,

The forge's fire is ashen cold;

No harp is wrung, no hammer falls,

The darkness dwells in Durin's halls;

The shadow lies upon his tomb

In Moria, in Khazad-dûm.

But still the sunken stars appear

In dark and windless Mirrormere;

There lies his crown in water deep,

Till Durin wakes again from sleep.

The Road goes ever on and on

Down from the door where it began.

Now far ahead the Road has gone,

And I must follow, if I can,

Pursuing it with eager feet,

Until it joins some larger way

Where many paths and errands meet,

And whither then? I cannot say.

Watch out for power,
for its avalanche can bury you,
snow, snow, snow, smothering your mountain.

Watch out for hate,
it can open its mouth and you'll fling yourself out
to eat off your leg, an instant *****.

Watch out for friends,
because when you betray them,
as you will,
they will bury their heads in the toilet
and flush themselves away.

Watch out for intellect,
because it knows so much it knows nothing
and leaves you hanging upside down,
mouthing knowledge as your heart
falls out of your mouth.

Watch out for games, the actor's part,
the speech planned, known, given,
for they will give you away
and you will stand like a naked little boy,
******* on your own child-bed.

Watch out for love
(unless it is true,
and every part of you says yes including the toes),
it will wrap you up like a mummy,
and your scream won't be heard
and none of your running will end.

Love? Be it man. Be it woman.
It must be a wave you want to glide in on,
give your body to it, give your laugh to it,
give, when the gravelly sand takes you,
your tears to the land. To love another is something
like prayer and can't be planned, you just fall
into its arms because your belief undoes your disbelief.

Special person,
if I were you I'd pay no attention
to admonitions from me,
made somewhat out of your words
and somewhat out of mine.
A collaboration.
I do not believe a word I have said,
except some, except I think of you like a young tree
with pasted-on leaves and know you'll root
and the real green thing will come.

Let go. Let go.
Oh special person,
possible leaves,
this typewriter likes you on the way to them,
but wants to break crystal glasses
in celebration,
for you,
when the dark crust is thrown off
and you float all around
like a happened balloon.

I was angry with my friend;
I told my wrath, my wrath did end.
I was angry with my foe:
I told it not, my wrath did grow.

And I waterd it in fears,
Night & morning with my tears:
And I sunned it with smiles,
And with soft deceitful wiles.

And it grew both day and night,
Till it bore an apple bright.
And my foe beheld it shine,
And he knew that it was mine.

And into my garden stole.
When the night had veiled the pole;
In the morning glad I see,
My foe outstretchd beneath the tree.

I went to the Garden of Love.
And saw what I never had seen:
A Chapel was built in the midst,
Where I used to play on the green.

And the gates of this Chapel were shut,
And Thou shalt not, writ over the door;
So I turn’d to the Garden of Love,
That so many sweet flowers bore,

And I saw it was filled with graves,
And tomb-stones where flowers should be:
And priests in black gowns, were walking their rounds,
And binding with briars, my joys & desires.

My mother bore me in the southern wild,
And I am black, but O! my soul is white.
White as an angel is the English child:
But I am black as if bereav’d of light.

My mother taught me underneath a tree
And sitting down before the heat of day.
She took me on her lap and kissed me,
And pointing to the east began to say.

Look on the rising sun: there God does live
And gives his light, and gives his heat away.
And flowers and trees and beasts and men receive
Comfort in morning joy in the noon day.

And we are put on earth a little space..
That we may learn to bear the beams of love.
And these black bodies and this sun-burnt face
Is but a cloud, and like a shady grove.

For when our souls have learn’d the heat to bear
The cloud will vanish we shall hear his voice.
Saying: come out from the grove my love & care.
And round my golden tent like lambs rejoice.

Thus did my mother say and kissed me.
And thus I say to little English boy.
When I from black and he from white cloud free,
And round the tent of God like lambs we joy:

Ill shade him from the heat till he can bear,
To lean in joy upon our fathers knee.
And then I’ll stand and stroke his silver hair,
And be like him and he will then love me.