if i believe
in death be sure
of this
it is

because you have loved me,
moon and sunset
stars and flowers
gold crescendo and silver muting

of seatides
i trusted not,
                    one night
when in my fingers

drooped your shining body
when my heart
sang between your perfect
*******

darkness and beauty of stars
was on my mouth petals danced
against my eyes
and down

the singing reaches of
my soul
spoke
the green-

greeting pale-
departing irrevocable
sea
i knew thee death.

                              and when
i have offered up each fragrant
night,when all my days
shall have before a certain

face become
white
perfume
only,
          from the ashes
then
thou wilt rise and thou
wilt come to her and brush

the mischief from her eyes and fold
her
mouth the new
flower with

thy unimaginable
wings,where dwells the breath
of all persisting stars

Whoever you are, I fear you are walking the walks of dreams,
I fear these supposed realities are to melt from under your feet and hands;
Even now, your features, joys, speech, house, trade, manners, troubles, follies,
costume, crimes, dissipate away from you,
Your true Soul and Body appear before me,
They stand forth out of affairs—out of commerce, shops, law, science,
work, forms, clothes, the house, medicine, print, buying, selling, eating,
drinking, suffering, dying.

Whoever you are, now I place my hand upon you, that you be my poem;
I whisper with my lips close to your ear,
I have loved many women and men, but I love none better than you.

O I have been dilatory and dumb;
I should have made my way straight to you long ago;
I should have blabb’d nothing but you, I should have chanted nothing but you.

I will leave all, and come and make the hymns of you;
None have understood you, but I understand you;
None have done justice to you—you have not done justice to yourself;
None but have found you imperfect—I only find no imperfection in you;
None but would subordinate you—I only am he who will never consent
to subordinate you;
I only am he who places over you no master, owner, better, God, beyond
what waits intrinsically in yourself.

Painters have painted their swarming groups, and the centre figure of all;
From the head of the centre figure spreading a nimbus of gold-color’d light;
But I paint myriads of heads, but paint no head without its nimbus of
gold-color’d light;
From my hand, from the brain of every man and woman it streams,
effulgently flowing forever.

O I could sing such grandeurs and glories about you!
You have not known what you are—you have slumber’d upon yourself
all your life;
Your eye-lids have been the same as closed most of the time;
What you have done returns already in mockeries;
(Your thrift, knowledge, prayers, if they do not return in mockeries,
what is their return?)

The mockeries are not you;
Underneath them, and within them, I see you lurk;
I pursue you where none else has pursued you;
Silence, the desk, the flippant expression, the night, the accustom’d routine,
if these conceal you from others, or from yourself, they do not conceal you
from me;
The shaved face, the unsteady eye, the impure complexion, if these balk others,
they do not balk me,
The pert apparel, the deform’d attitude, drunkenness, greed, premature death,
all these I part aside.

There is no endowment in man or woman that is not tallied in you;
There is no virtue, no beauty, in man or woman, but as good is in you;
No pluck, no endurance in others, but as good is in you;
No pleasure waiting for others, but an equal pleasure waits for you.

As for me, I give nothing to any one, except I give the like carefully to you;
I sing the songs of the glory of none, not God, sooner than I sing the songs
of the glory of you.

Whoever you are! claim your own at any hazard!
These shows of the east and west are tame, compared to you;
These immense meadows—these interminable rivers—you are immense
and interminable as they;
These furies, elements, storms, motions of Nature, throes of apparent dissolution—
you are he or she who is master or mistress over them,
Master or mistress in your own right over Nature, elements, pain, passion, dissolution.

The hopples fall from your ankles—you find an unfailing sufficiency;
Old or young, male or female, rude, low, rejected by the rest, whatever you are
promulges itself;
Through birth, life, death, burial, the means are provided, nothing is scanted;
Through angers, losses, ambition, ignorance, ennui, what you are picks its way.

My limbs are wasted with a flame,
My feet are sore with travelling,
For, calling on my Lady’s name,
My lips have now forgot to sing.

O Linnet in the wild-rose brake
Strain for my Love thy melody,
O Lark sing louder for love’s sake,
My gentle Lady passeth by.

She is too fair for any man
To see or hold his heart’s delight,
Fairer than Queen or courtesan
Or moonlit water in the night.

Her hair is bound with myrtle leaves,
(Green leaves upon her golden hair!)
Green grasses through the yellow sheaves
Of autumn corn are not more fair.

Her little lips, more made to kiss
Than to cry bitterly for pain,
Are tremulous as brook-water is,
Or roses after evening rain.

Her neck is like white melilote
Flushing for pleasure of the sun,
The throbbing of the linnet’s throat
Is not so sweet to look upon.

As a pomegranate, cut in twain,
White-seeded, is her crimson mouth,
Her cheeks are as the fading stain
Where the peach reddens to the south.

O twining hands!  O delicate
White body made for love and pain!
O House of love!  O desolate
Pale flower beaten by the rain!

The Gods are dead:  no longer do we bring
To grey-eyed Pallas crowns of olive-leaves!
Demeter’s child no more hath tithe of sheaves,
And in the noon the careless shepherds sing,
For Pan is dead, and all the wantoning
By secret glade and devious haunt is o’er:
Young Hylas seeks the water-springs no more;
Great Pan is dead, and Mary’s son is King.

And yet—perchance in this sea-tranced isle,
Chewing the bitter fruit of memory,
Some God lies hidden in the asphodel.
Ah Love! if such there be, then it were well
For us to fly his anger:  nay, but see,
The leaves are stirring:  let us watch awhile.

Her ivory hands on the ivory keys
Strayed in a fitful fantasy,
Like the silver gleam when the poplar trees
Rustle their pale-leaves listlessly,
Or the drifting foam of a restless sea
When the waves show their teeth in the flying breeze.

Her gold hair fell on the wall of gold
Like the delicate gossamer tangles spun
On the burnished disk of the marigold,
Or the sunflower turning to meet the sun
When the gloom of the dark blue night is done,
And the spear of the lily is aureoled.

And her sweet red lips on these lips of mine
Burned like the ruby fire set
In the swinging lamp of a crimson shrine,
Or the bleeding wounds of the pomegranate,
Or the heart of the lotus drenched and wet
With the spilt-out blood of the rose-red wine.

Tread lightly, she is near
Under the snow,
Speak gently, she can hear
The daisies grow.

All her bright golden hair
Tarnished with rust,
She that was young and fair
Fallen to dust.

Lily-like, white as snow,
She hardly knew
She was a woman, so
Sweetly she grew.

Coffin-board, heavy stone,
Lie on her breast,
I vex my heart alone,
She is at rest.

Peace, Peace, she cannot hear
Lyre or sonnet,
All my life’s buried here,
Heap earth upon it.

Go, little book,
To him who, on a lute with horns of pearl,
Sang of the white feet of the Golden Girl:
And bid him look
Into thy pages:  it may hap that he
May find that golden maidens dance through thee.

The wild bee reels from bough to bough
With his furry coat and his gauzy wing,
Now in a lily-cup, and now
Setting a jacinth bell a-swing,
In his wandering;
Sit closer love:  it was here I trow
I made that vow,

Swore that two lives should be like one
As long as the sea-gull loved the sea,
As long as the sunflower sought the sun,—
It shall be, I said, for eternity
‘Twixt you and me!
Dear friend, those times are over and done;
Love’s web is spun.

Look upward where the poplar trees
Sway and sway in the summer air,
Here in the valley never a breeze
Scatters the thistledown, but there
Great winds blow fair
From the mighty murmuring mystical seas,
And the wave-lashed leas.

Look upward where the white gull screams,
What does it see that we do not see?
Is that a star? or the lamp that gleams
On some outward voyaging argosy,—
Ah! can it be
We have lived our lives in a land of dreams!
How sad it seems.

Sweet, there is nothing left to say
But this, that love is never lost,
Keen winter stabs the ******* of May
Whose crimson roses burst his frost,
Ships tempest-tossed
Will find a harbour in some bay,
And so we may.

And there is nothing left to do
But to kiss once again, and part,
Nay, there is nothing we should rue,
I have my beauty,—you your Art,
Nay, do not start,
One world was not enough for two
Like me and you.

Set in this stormy Northern sea,
Queen of these restless fields of tide,
England! what shall men say of thee,
Before whose feet the worlds divide?

The earth, a brittle globe of glass,
Lies in the hollow of thy hand,
And through its heart of crystal pass,
Like shadows through a twilight land,

The spears of crimson-suited war,
The long white-crested waves of fight,
And all the deadly fires which are
The torches of the lords of Night.

The yellow leopards, strained and lean,
The treacherous Russian knows so well,
With gaping blackened jaws are seen
Leap through the hail of screaming shell.

The strong sea-lion of England’s wars
Hath left his sapphire cave of sea,
To battle with the storm that mars
The stars of England’s chivalry.

The brazen-throated clarion blows
Across the Pathan’s reedy fen,
And the high steeps of Indian snows
Shake to the tread of armed men.

And many an Afghan chief, who lies
Beneath his cool pomegranate-trees,
Clutches his sword in fierce surmise
When on the mountain-side he sees

The fleet-foot Marri scout, who comes
To tell how he hath heard afar
The measured roll of English drums
Beat at the gates of Kandahar.

For southern wind and east wind meet
Where, girt and crowned by sword and fire,
England with bare and ****** feet
Climbs the steep road of wide empire.

O lonely Himalayan height,
Grey pillar of the Indian sky,
Where saw’st thou last in clanging flight
Our winged dogs of Victory?

The almond-groves of Samarcand,
Bokhara, where red lilies blow,
And Oxus, by whose yellow sand
The grave white-turbaned merchants go:

And on from thence to Ispahan,
The gilded garden of the sun,
Whence the long dusty caravan
Brings cedar wood and vermilion;

And that dread city of Cabool
Set at the mountain’s scarped feet,
Whose marble tanks are ever full
With water for the noonday heat:

Where through the narrow straight Bazaar
A little maid Circassian
Is led, a present from the Czar
Unto some old and bearded khan,—

Here have our wild war-eagles flown,
And flapped wide wings in fiery fight;
But the sad dove, that sits alone
In England—she hath no delight.

In vain the laughing girl will lean
To greet her love with love-lit eyes:
Down in some treacherous black ravine,
Clutching his flag, the dead boy lies.

And many a moon and sun will see
The lingering wistful children wait
To climb upon their father’s knee;
And in each house made desolate

Pale women who have lost their lord
Will kiss the relics of the slain—
Some tarnished epaulette—some sword—
Poor toys to soothe such anguished pain.

For not in quiet English fields
Are these, our brothers, lain to rest,
Where we might deck their broken shields
With all the flowers the dead love best.

For some are by the Delhi walls,
And many in the Afghan land,
And many where the Ganges falls
Through seven mouths of shifting sand.

And some in Russian waters lie,
And others in the seas which are
The portals to the East, or by
The wind-swept heights of Trafalgar.

O wandering graves!  O restless sleep!
O silence of the sunless day!
O still ravine!  O stormy deep!
Give up your prey!  Give up your prey!

And thou whose wounds are never healed,
Whose weary race is never won,
O Cromwell’s England! must thou yield
For every inch of ground a son?

Go! crown with thorns thy gold-crowned head,
Change thy glad song to song of pain;
Wind and wild wave have got thy dead,
And will not yield them back again.

Wave and wild wind and foreign shore
Possess the flower of English land—
Lips that thy lips shall kiss no more,
Hands that shall never clasp thy hand.

What profit now that we have bound
The whole round world with nets of gold,
If hidden in our heart is found
The care that groweth never old?

What profit that our galleys ride,
Pine-forest-like, on every main?
Ruin and wreck are at our side,
Grim warders of the House of Pain.

Where are the brave, the strong, the fleet?
Where is our English chivalry?
Wild grasses are their burial-sheet,
And sobbing waves their threnody.

O loved ones lying far away,
What word of love can dead lips send!
O wasted dust!  O senseless clay!
Is this the end! is this the end!

Peace, peace! we wrong the noble dead
To vex their solemn slumber so;
Though childless, and with thorn-crowned head,
Up the steep road must England go,

Yet when this fiery web is spun,
Her watchmen shall descry from far
The young Republic like a sun
Rise from these crimson seas of war.

When you come to me, unbidden,
Beckoning me
To long-ago rooms,
Where memories lie.

Offering me, as to a child, an attic,
Gatherings of days too few.
Baubles of stolen kisses.
Trinkets of borrowed loves.
Trunks of secret words,

I cry.